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X-Men: Schism Kindle & comiXology
The world refuses to trust mutantkind and after a mutant-triggered international incident, anti-mutant hatred hits new heights. Of course it's at this moment, when the mutant race most needs to stand together, that a split begins that will tear apart the very foundation of the X-Men.
- LanguageEnglish
- PublisherMarvel
- Publication dateJune 27, 2012
- Reading age13 years and up
- Grade level8 and up
- File size549571 KB
- Due to its large file size, this book may take longer to download
- Read this book on comiXology. Learn more
Product details
- ASIN : B00EARP374
- Publisher : Marvel (June 27, 2012)
- Publication date : June 27, 2012
- Language : English
- File size : 549571 KB
- Text-to-Speech : Not enabled
- Enhanced typesetting : Not Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : Not Enabled
- Print length : 169 pages
- Best Sellers Rank: #232,395 in Kindle Store (See Top 100 in Kindle Store)
- #1,134 in Marvel Comics & Graphic Novels (Books)
- #1,789 in Superhero Graphic Novels
- #3,252 in Superhero Comics & Graphic Novels
- Customer Reviews:
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X-Men: Schism
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About the author
JASON AARON is an award-winning comic book writer best known for his work with Marvel Comics, including a landmark seven-year run on THOR that will serve as the basis for the upcoming Marvel Studios film THOR: LOVE AND THUNDER. He’s also had celebrated stints writing WOLVERINE, DOCTOR STRANGE, GHOST RIDER, CONAN THE BARBARIAN and the 2015 Marvel relaunch of STAR WARS that was the best-selling American comic book in more than 20 years. Aaron is the current writer on Marvel's flagship AVENGERS book and its spinoff, AVENGERS FOREVER, along with a brand-new, character-defining PUNISHER series. His critically acclaimed creator-owned work includes the Eisner and Harvey Award-winning SOUTHERN BASTARDS from Image Comics and the New York Times best-selling crime series SCALPED from Vertigo Comics. Aaron was born and raised in Alabama and currently resides in Kansas City.
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The five issue arc is such an incredibly tight bit of self-contained storytelling from Jason Aaron. We start out with Cyclops and Wolverine going to an arms conference to plead with world leaders to destroy their Sentinel programs, and at this point of the story it's obvious the two of them are close friends now, far past the petty bickering they always seemed to be involved in back when Wolverine joined the team. One reviewer took issue with the fact that nations at the conference claimed Sentinels didn't exist when obviously they do, but he seemed to miss the fact that the leader making these claims was very obviously real life leader of Iran Mahmoud Ahmadinejad and an obvious parallel was being made to Iran's nuclear program and Ahmadinejad's insistence that the Holocaust never happened.
Another common complaint seems to be that the antagonists in this story are a new version of the Hellfire Club made up of children. People who didn't like the story bring up how lame it apparently is that the X-Men are taken down by kids, completely missing the fact that this whole story is about kids. Wolverine starts to pick up on the fact that Cyclops is training their young mutants to go to war and not to the ideals for which Professor X originally created the School For Gifted Youngsters. He sympathizes specifically with a young mutant named Idie who seems to have missed out on a normal childhood. She never played with dolls and has never even had ice cream before. Wolverine thinks that the students should have a (relatively) normal school experience before having to deal with the fact that most of humanity wants to kill them, whereas Cyclops is especially on edge now that their numbers have dipped below 200 mutants because of the M-Day event and wants to prepare them for the eventual war he sees coming. Obviously Jason Aaron is trying to make the point that Cyclops is dangerously close to turning their kids into the same kids that are now running the Hellfire Club, total monsters devoid of any human empathy. The event that ultimately causes the Schism to occur is when Idie has to do something truly horrific and she just accepts this as a fact of life for mutants. Wolverine can't accept this and so he gets into a pretty epic knockdown dragout brawl with Cyclops.
Usually I hate it when you have multiple artists on a project like this, but all the artists are fantastic and their styles gel enough that I never felt like I was taken out of the story. And Jason Aaron's plotting and dialogue are spot on. My only real complaint about this trade is that the Regenesis story at the end feels a little unnecessary. Basically you just get a brief look at what side each X-Man decides to take for the coming split, but there's not a whole lot of plot. It feels more like those recap pages you commonly see at the front of a comic to fill you in on what's happened previously, except the whole issue is the recap. But that's a minor complaint. Schism is a great X-story and a superb way to find out about how the current X-titles came to be the way they are.
But Jason Aaron is a great writer, so if nothing else, the characterizations feel on point, even if the plot feels rushed. Dialogue is alternatively witty and dramatically hard-hitting. It's especially striking when Cyclops and Wolverine trade barbs about Jean before throwing down with one another. That sequence is probably one of the best X-Men action scenes of all time. Marvel All-Stars Alan Davis and Adam Kubert do a great job depicting it.
The villains are a bit of an acquired taste. Basically they are a new Hellfire Club consisting of child evil geniuses. They come out of nowhere, but Aaron makes them seem like a genuine threat, highlighting how evil they are through some disturbing scenes and dialogue. I think they work better in Aaron's Wolverine and the X-Men series, as the tone there is more heightened, Saturday morning cartoon vibes. I'm not sure they blended well with the more grounded Utopia storyline.
All in all, a solid if flawed start to Aaron's X-Men, with some big, memorable moments.