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Usagi Yojimbo Vol. 1: The Ronin Kindle & comiXology
- Reading age11 - 14 years
- LanguageEnglish
- Grade level4 - 6
- PublisherFantagraphics
- Publication dateJanuary 1, 1987
- ISBN-13978-0930193355
From the Publisher
Like Bone and Teenage Mutant Ninja Turtles, Stan Sakai's Usagi Yojimbo is one of the breakout hits of the 1990s independent comic book boom. This award-winning all-ages graphic novel series chronicles the action packed wanderings of a rabbit ronin in feudal Japan. Available from Fantagraphics in affordable easy to read paperbacks, this perennial favorite is also featured as a deluxe slipcase set collecting the entire initial seven book run—with over 1000 pages of story, this Special Edition box set is the complete, definitive, early Usagi with lots of extra material for fans and collectors!
Editorial Reviews
Amazon.com Review
Review
― Los Angeles Times
"As a fan of samurai fiction (to the point of having a Seven Samurai tattoo) and comics, I can’t recommend Stan Sakai’s beautifully drawn, note-perfect reinvention of the genre highly enough."
― Kevin Church, BeaucoupKevin.com
"One of the most original, innovative, well-executed comic books anywhere to be found."
― Stan Lee
"I don’t think I’m exaggerating at all when I say that Stan Sakai is arguably the greatest living comic book creator in the world, and Usagi Yojimbo is a thirty-year masterpiece that has a consistency and craftsmanship that other comics only touch when they’re at their peak."
― Chris Sims, ComicsAlliance
About the Author
Stan Sakai is a Japanese-born American artist and comic book creator. His creation, Usagi Yojimbo, first appeared in 1984. Usagi has been on television as a guest of the Teenage Mutant Ninja Turtles, as toys, on clothing, in comics, and in a series of trade paperback collections. He is a multiple Eisner-Award-winning cartoonist and the recipient of numerous national awards including an American Library Association Award and a Cultural Ambassador Award from the Japanese American National Museum. In 2020, Sakai was inducted into the Eisner Award Hall of Fame. He currently is an executive producer on the Netflix original CGI animated series Samurai Rabbit: The Usagi Chronicles, which is based on "Usagi Yojimbo". He lives in Pasadena, CA.
Product details
- ASIN : B01GQJT3ME
- Publisher : Fantagraphics (January 1, 1987)
- Publication date : January 1, 1987
- Language : English
- File size : 333563 KB
- Text-to-Speech : Not enabled
- Enhanced typesetting : Not Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : Not Enabled
- Print length : 152 pages
- Best Sellers Rank: #916,872 in Kindle Store (See Top 100 in Kindle Store)
- #484 in Comic Strips (Kindle Store)
- #519 in Cartoons
- #1,432 in Historical & Biographical Fiction Graphic Novels
- Customer Reviews:
About the author
Sakai began his career by simply lettering comic books as he perfected his art and began working in the industry.
He also wrote and illustrated The Adventures of Nilson Groundthumper and Hermy; a comic series with a medieval setting, influenced by Sergio Aragones's Groo the Wanderer. The characters first appeared in Albedo #1 in 1984, and were subsequently featured in issues of Critters, GrimJack, Amazing Heroes and Furrlough. Stan Sakai became famous with the creation of Usagi Yojimbo, the epic saga of Miyamoto Usagi, a samurai rabbit living in late-sixteenth and early-seventeenth-century Japan.
Usagi Yojimbo, first published in 1984, continues to this day.
It progresses with Stan Sakai as the lone author and nearly sole artist (Tom Luth serves as the main colorist on the series, and Sergio Aragonés has made two small contributions to the series: the story "Broken Ritual" is based on an idea by Aragonés, and he served as a guest inker for the black-and-white version of the story "Return to Adachi Plain" that is featured in the Volume 11 trade paperback edition of Usagi Yojimbo). He also created a futuristic spinoff series Space Usagi.[10] His favorite movie is Satomi Hakkenden (1959). The Japanese American National Museum in Los Angeles's Little Tokyo presented an exhibit entitled "Year of the Rabbit: Stan Sakai's Usagi Yojimbo" from July 9 through October 30, 2011.
Sakai wrote and illustrated the story "I'm Not in Springfield Anymore!" for Bart Simpson's Treehouse of Horror #7 and illustrated the back cover of Treehouse of Horror #6. Sakai was the artist for Riblet, the back-up feature in the trade paperback of Stupid, Stupid Rat Tails.In 2013, Sakai illustrated the limited comic book series 47 Ronin, an adaptation of the famed story of the 47 Ronin written by Dark Horse Comics Publisher Mike Richardson and with Lone Wolf and Cub writer Kazuo Koikeas an editorial consultant. He resides in Pasadena, California.
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The best thing about this volume was my impression of the book's quality. It reads more like a light novel than an actual comic book. It is smaller than most of the standard comic books trades. It is also not set up in issue numbers, but chapters like a novel. You would think looking at the artwork that it is going to be all comedy and kid appropriate, but it is not at all. I was pleasantly surprised this was smart, clever, and very heartwarming at times. There is comedy within the stories, but there is also tragedy.
When I first got this, I knew very little about Usagi. I have always liked his character since his appearances in the Teenage Mutant Ninja Turtles cartoons, but never really got to read any of his stories. For the longest time I thought his name was Usagi Yojimbo and not Miyamoto Usagi. I thought these comics were comedy more than actual drama. I also always wanted to read his comics, but never did when I saw them without color. Now that I am older, I can finally appreciate black and white cartoons. It means they are hand drawn and done before computers took over the art world.
I have to say that Usagi's origin story is probably one of the best I have read in a while. This comic actually taught me what the term "ronin" means. I knew "ronin" was a rank in the Japanese's army, but that is all I knew. I know now that it is more than a samurai, but a samurai who has lost his master in battle. I also know that "kampai" means a toast thank to this comic and keep a third eye open when traveling with others. As I have said previously, this comic book is smart and you will not only have fun reading this, but also learn things about Japanese culture.
Some side thing I want to add. I really love the brief cameo of Groo in this volume. I know I need to read that comic book someday, but I just thought it was a funny moment in the book. Usagi reference him again later on and it is clear they have issues with each other's fighting styles. It is a playful tease since Stan Sakai and Sergio Aragonés are friends in real life. What is the deal with the lizards that appear in every issue? Am I missing a story there? If it involves spoilers later on do not tell me, but just curious. They are a cute add to the read though.
Anyways, I recommend this to any diehard comic book fan. This is especially for ones who fancy anthropomorphic stories (not furry stories) and Japanese manga/anime. This is the type of comic book I should have started reading back when I started Fables. At least I am starting it now and I have no regrets. Miyamoto Usagi just might be my favorite male comic book hero now.
So now I'm re-purchasing on Kindle/comiXology, to read on my iPad. No disappointment here. The lines stand out, and they look just fantastic.
Ok, some people don't see it. Tough! I still laugh when I see that age range! I'm not stopping reading it yet. Keep going Stan, I know a lot of people love what you're doing, and have for years (and years and years) :0)
The art is excellent, and the many of the stories are different from standard western fare.
I recently repurchased the book to read to my son, figuring that since he loves animals, Usagi and his friends would be a good fit for bed time reading. It worked - kind of... The stories are bit more violent than I remembered, and while they are not too graphic (no teen or adult would have any problem here), they're not ideal for reading to my son.
In short: great eastern stories in graphic format, but not necessarily for children.