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Shipwreck Vol. 1 Kindle & comiXology
From the co-creator and writer of AUTHORITY, TRANSMETROPOLITAN and PLANETARY.
“SHIPWRECK might not be the first title readers think of when they think of new Ellis works, but…I have a feeling that that could (and should) change!” —Justin Partridge of newsarama.com
- LanguageEnglish
- PublisherAfterShock Comics
- Publication dateJuly 18, 2018
- Reading age13 - 16 years
- Grade level8 - 11
- File size255167 KB
- Due to its large file size, this book may take longer to download
- Read this book on comiXology. Learn more
Editorial Reviews
Review
'It's a great read with solid characters and fantastic art.' - BLEEDING COOL
'Shipwreck abounds with the beginnings of mysteries, and it makes a compelling case for their fascinating power' - PASTE MAGAZINE
Review
'You want this comic, trust me. You want to experience Shipwreck.' - NERDIST
'It's a great read with solid characters and fantastic art.' - BLEEDING COOL
Product details
- ASIN : B079Y9Q4QJ
- Publisher : AfterShock Comics; Illustrated edition (July 18, 2018)
- Publication date : July 18, 2018
- Language : English
- File size : 255167 KB
- Text-to-Speech : Not enabled
- Enhanced typesetting : Not Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : Not Enabled
- Print length : 144 pages
- Best Sellers Rank: #1,740,891 in Kindle Store (See Top 100 in Kindle Store)
- #6,300 in Science Fiction Graphic Novels (Kindle Store)
- #12,177 in Science Fiction Graphic Novels (Books)
- Customer Reviews:
About the author
Warren Ellis is the author of the Amazon Top 100 2016 book NORMAL and the New York Times- bestselling GUN MACHINE, the writer of award-winning graphic novels like TRANSMETROPOLITAN, PLANETARY and FELL, and is the creator and writer of global top ten streaming hit show CASTLEVANIA on Netflix.
The movie RED is based on his graphic novel of the same name, its sequel having been released in summer 2013. His GRAVEL books are in development for film at Legendary Pictures. IRON MAN 3 is based on his Marvel Comics graphic novel IRON MAN: EXTREMIS. He's also written extensively for VICE, WIRED UK and Reuters on technological and cultural matters.
Read and subscribe to his free weekly newsletter with updates on work and likes at https://buttondown.email/orbitaloperations and orbitaloperations.com.
Warren Ellis lives outside London, on the south-east coast of England, in case he needs to make a quick getaway.
Customer reviews
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Top reviews
Top reviews from the United States
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I think I can see what he might conceptually have been aiming for with that conclusion. It could have worked, so the actual flat, extremely 'meh' conclusion strikes me as maybe as much a question of hurried, cursory writing, line by line, panel by panel. Boo.
Not unrelated to this failure to conclude satisfactorily with that sixth issue is the fact that, for whatever reasons, it was delayed by a year or more from when it was originally supposed to be delivered. So, yeah, it would be easy to lose impetus especially when one has a medical event as I believe Mr. Ellis did and when one has many commitments, so one can commit only limited time to any one project. This being said ....
Warren, if by chance you're reading this --
[1] SHIPWRECK was a six issue commitment. It's not that hard to write six issues ahead of time, and if you can't do that do what many professional writers do and write the beginning and end of your piece/article/story, and then write the middle sections. You can always rewrite the ending you had, if you write the middle and then find you want to modify the conclusion.
[2] INJECTION volume #3 also seemed to me to have a weak, hurried conclusion -- a warmed-over borrowing of the end of QUATERMASS AND THE PIT.
[3] There've been other series that you've completely failed to finish. DESOLATION JONES was immensely promising, for instance, and then fell apart at the beginning of the second season, never to re-appear. So sorry: I'm a fan, but I'm not buying your stuff in single-issue format any more, only when it reaches trade.
Art by: Phil Hester
Collects issues 1-6
Aftershock Comics
This collection is driven by 2 current powerhouses in the comic industry. Both Warren Ellis and Phil Hester are heavy hitter comic writers on the market today (I believe both are award winners as well). Phil Hester also double dips as an artist. This collection leverages the writing of Warren Ellis with the art of Phil Hester.
Here’s some feedback:
1. The story is a sci-fi/suspense/mystery adventure. It’s written by Warren Ellis, so don’t expect the ‘same ole, same ole.’ The story is vague enough to have you wondering, with enough details to keep you guessing. The story starts slow and ramps nicely. To some the level of detail and when additional details are revealed would be a detriment.
2. Some might even say this story has elements of horror, I’ll leave that classification to the reader.
3. Phil Hester’s art is sharp and he owns the characters and landscapes. Phil draws everything from gore, to old west like landscapes, futuristic equipment/vehicles, to a raggedy protagonist. The lines are crisp with nice ink and coloring. I am admittedly a Phil Hester homer (even owning some of his original comic art), so it’s hard for me to be partial.
4. This is my first work by Aftershock Comics and if they continue with this level of talent and quality, they’ll do well.
Top reviews from other countries
Mas
Convém lembrar que hqs são uma disciplina colaborativa e, nesse caso específico, a arte de Phil Hester, literalmente, rouba a cena. Os leitores brasileiros devem lembrar de seus desenhos na fase do Arqueiro Verde escrita por Kevin Smith ou pelo Monstro do Pântano de Mark Millar. Rostos angulosos, muito chiaroscuro, enfim, as características desses momentos anteriores de sua carreira continuam presentes, mas a eficiência alcançada com o colorista Mike Spicer supera qualquer esforço anterior.
Quando um bom desenhista faz sua própria arte-final, tudo parece melhor.