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Red Sonja Vol. 1: Queen of Plagues Kindle & comiXology
COLLECTION FEATURES:
• Issues 1-6 of the critically-acclaimed series by GAIL SIMONE (BATGIRL, BIRDS OF PREY) and WALTER GEOVANI (PROPHECY).
• An introduction by GAIL SIMONE
• Gail Simone's original script to RED SONJA #1
• All of the beautiful covers by the top female artists in the comic book industry including: JENNY FRISON (ANGEL), NICOLA SCOTT (TEEN TITANS, SECRET SIX), AMANDA CONNER (BEFORE WATCHMEN: SILK SPECTRE), FIONA STAPLES (SAGA), PIA GUERRA (Y: THE LAST MAN), MING DOYLE (MARA), and MANY MORE!
"Gail Simone's RED SONJA is an absolute winner -- powerful, thrilling stuff that builds up so much momentum you won't ever want it to end. Richly textured action-adventure with an unforgettable heroine."
- KURT BUSIEK (ASTRO CITY, AVENGERS)
"A kick-ass iconic heroine by one of the top writers in the comics industry, and a series of take-no-prisoners stories. What's not to love?"
- MERCEDES LACKEY (VALDEMAR series)
- LanguageEnglish
- PublisherDynamite Entertainment
- Publication dateFebruary 19, 2014
- Reading age16 years and up
- File size590860 KB
- Due to its large file size, this book may take longer to download
- Read this book on comiXology. Learn more
Product details
- ASIN : B00IGB8ZA2
- Publisher : Dynamite Entertainment (February 19, 2014)
- Publication date : February 19, 2014
- Language : English
- File size : 590860 KB
- Text-to-Speech : Not enabled
- Enhanced typesetting : Not Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : Not Enabled
- Print length : 174 pages
- Best Sellers Rank: #799,585 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
About the author
Gail Simone is an American writer of comic books. Best known for penning DC's Birds of Prey, her other notable works include Secret Six, Welcome to Tranquility, The All-New Atom, Deadpool, and Wonder Woman. In 2011, she became the writer for Batgirl. Though fired from Batgirl in December 2012 by the title's incoming editor, Brian Cunningham, she was rehired on December 21 after DC received backlash from fans. She became the writer for a new Red Sonja series in 2013 with Dynamite Entertainment.
Bio from Wikipedia, the free encyclopedia. Photo by Luigi Novi [CC BY 3.0 (http://creativecommons.org/licenses/by/3.0) or CC BY 3.0 (http://creativecommons.org/licenses/by/3.0)], via Wikimedia Commons.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
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Top reviews
Top reviews from the United States
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The story caught me completely off-guard because I was certain it would be standard barbarian fantasy fare: hero bumps up against near-invulnerable villain, then spends time battling his/her way to secret potion/weapon/spell that will turn the tables.
Simone gives us so much more in this volume, and she kicks it off with a display of violence that is sudden and satisfying. She’s a great writer and knows when to get off the page to let her artist work.
From that violent opening, Sonja’s adventures careen into a dungeon where she’s freed by a triumphant king who knows well the blood price that has been paid for that victory. Pay attention to everything that happens on these pages. I thought at first they were just throwaway pages that kept me from the impending action.
Everything Simone does in this story is carefully weighed and laid out. I liked watching the handmaidens trying to spruce Sonja up. Simone has a wicked sense of pacing, knowing when to cut back on the grim darkness and give her readers a break.
Before long, we get back to the action as Sonja takes her place at the forefront of battle against a legion of invaders.
The battle turns bloody, and Sonja falls. The invaders pen up the city because of the plague that runs through it. I like Simone’s sense of history. Back in those days, any whiff of a plague or even sickness could – literally – be the death of a community. Those illnesses ran rampant and killed hundreds and thousands. In today’s world we don’t worry overmuch about things like the plague. Occasionally some bug will get loose that kills people, but not to the extent that happened in the Dark and Middle Ages.
Once beaten by Dark Annisia, who was the only other survivor rescued from the dungeon with Red Sonja, our heroine ends up in the forest, sick with the plague and dying. She’s been beaten, forced to kneel at her opponent’s boot, and Simone does a great job of showing the readers the effect of these events.
The story proceeds in an interesting fashion. Like peeling an orange, the story starts at one point and keeps moving for a time before ultimately returning to its origin. Along the way, we get to know the story of how Red Sonja’s people were killed and what made her the way she is.
We also get to know more of the events that led up to her time spent in the dungeon. I love this circuitous method of unveiling the tale, and everything got much, much deeper as the stakes were continually raised. I figured the initial story would only take an issue or two, but this one winds steadily through all six issues comprising the graphic novel.
One of the other interesting concepts that Simone has is that other creatures than humans exist. That will open up Red Sonja’s world more, but at the same time it gives the story a Dungeons and Dragons feel that I wasn’t at first too sure of. But Simone does a great job of just blending all of these elements in, and I trust that she will do more with them as time goes on.
And all while facing these new opponents, Red Sonja is a total action heroine!
One of the problems that some readers have with Red Sonja is that she runs around in her metal bikini armor. Simone and her artist aren’t afraid to step away from that costume and dress her more effectively. As a result, Sonja looks different throughout the book, but she’s still the warrior old readers know and love.
Dark Annisia is more than just an opponent in these pages. Simone propels Dark Annisia with her own demons and desires, and I ended up compelled by her story and actually not wanting her to square off against Red Sonja – because the book isn’t called Dark Annisia, after all. I knew how that battle would go. The ghosts that follow Annisia are either figments of her guilt or truly supernatural entities that trail after her. Simone cannily doesn’t tell her readers for certain.
The resolution of the story doesn’t hold back. Red Sonja comes back into her own and is as fierce a sword-swinging heroine as anyone could ever hope for. The various strands of the story come together in an absolutely breath-taking finish.
Although this story is complete in and of itself, and there are no real plot threads left dangling to compel the reader to pick up the next story, I’m entranced by this incarnation of the swordswoman as well as Gail Simone’s storytelling. Others have told of Red Sonja’s adventures, but no one has told them as Simone is going to tell them.
I’m hanging around to see what happens next.
It is Dynamite comic relaunch of Sonja and does feel a bit episodic. There are perhaps too many flashbacks introducing backstory, but there is enough information about Hyrkanian and Zamorian cultures to not alienate the casual or first-time reader. This is a delicate balance in this kind of story, but it does seem to keep this otherwise very good comic from being truly innovative or great. The alternate art work, by female artists, that is included is very strong and enjoyable. Overall, a good read.
Indeed, the tale seems to be almost a fusion of super-hero fantasy and sword-and-sorcery fantasy genres. It shows in that, while Sonja is just as brutal when the situation calls for it, she displays much more of her compassionate and maternal sides in Plagues. To be sure, these sides were there in other, previous stories, but they were buried deep under her emotional armor to prevent pain.
As the story begins, Sonja meets up with two people she previously knew. The first is the woman Dark Annisia, who is one of the few men OR women who could (possibly) best Sonja in single combat; and King Dimath, who helped Sonja and Annisia when he freed them from slavers. Dimath is one of the few men she will show great respect towards and bow before. And he deserves it too.
In fact, that is one of the refreshing parts of Simone's run so far. While Simone's politics are different than mine, she has a history of her politics not influencing her works in a bad way. When she does insert them, they are to get you to think, not to rhetorically pistol-whip you. Dimath is a good man, and one that, in a very monarchical age, would arguably deserve to have Sonja, and any other good man or woman, respect and honor him. Some of the "men are useless or bad" garbage of previous (though certainly not all) depictions of Sonja are dropped here. There are good and bad men, and while more bad than good are known to Sonja in her life, she acknowledges the good too.
I had a friend express some reticence recently due to the "chain-mail bikini" aspect of Sonja, and that is understandable, as I myself find comic-book fanservice to go too far at times. She might as well be called "Captain Fanservice", but it does work in the narrative. She goes for economy, knows how she dresses, uses it to psychologically manipulate foes, and when the sitation calls for it, she does wear armor. That alone is unique for the character that, in some previous iterations, sounded like a spoiled "I'll do what I wish" kid.
This really was a superb book. I was quite surprised that I actually enjoyed it so much. It is one of the best comics of the year so far, and perhaps the best Red Sonja story in many years.
Top reviews from other countries
Para quem não conhece, a obra se passa no mesmo universo de Conan, a era Hiboriana, e possui como protagonista uma forte personagem feminina.
Tendo as histórias de Conan como inspiração, espere também o mesmo tratamento: há muita violência gráfica e um pouco de nudez, mas tudo dentro do contexto da história.
Obs - Considere a trilogia uma única obra em 3 partes.
Nun ist Red Sonja, die seit ihrem ersten Comic-Auftritt 1973 im sexy Chainmail-Bikini auftritt - welche Frau sonst braucht definitiv keinen Kleiderschrank?, ja noch nie Gefahr gelaufen, als hilfsbedürftige Damsel in Distress durch die Panels zu irren, so dass Gail Simone in diesem Punkt nicht viel nachzubessern brauchte.
Ein zweites Merkmal ihrer Heldinnen scheint mir aber, dass sie als Menschen dargestellt werden, mit Problemen und Anfechtungen, und vor allem einer gewissen Tiefgründigkeit (besonders im großartigen Batgirl-Run zu bewundern).
Red Sonja, würdige Vertreterin längst vergangeneer Zeiten, trennt mit ihrem Schwert nun eher Gliedmaßen und Köpfe ihrer Feinde vom Rumpf, als in Walther von der Vogelweidescher Manier nachdenklich auf einem Stein zu sitzen (aber der lebte ja auch schon in unserer Zeitrechnung). Hieran kann Gail Simone nicht rühren und tut es auch nicht, und doch bekommt Red Sonja unter ihrer Federführung eine menschliche Tiefe und Fallhöhe, die für die so trinkfeste wie schlagkräftige Barbarin ungewöhnlich ist.
Als Queen of Plagues zahlt sie dem Mann eine Schuld zurück, der ihr in ihrer schwärzesten Zeit die Würde zurück gegeben hat. Doch hierzu muss sie sich gegen Dark Annisia stellen, die für sie wie eine Schwester ist, seit die beiden als Gefangene in der Arena gemeinsam um ihr Leben kämpfen mussten.
Das ist auch pathetisch, aber Simone erzählt die Story so sehr spannend und dramatisch, gelegentlich mit einer Portion Humor abgeschmeckt, dass ich mich daran nicht gestört, sondern hervorragend unterhalten gefühlt habe. Sword & Sorcery ist eigentlich nichts für mich, aber diese Red Sonja ist wunderbar!
Dazu trägt auch die dynamische Artwork von Walter Geovani bei, die mir fantastisch gefallen hat. Seine Red Sonja hat den gewohnt hohen Ausschlag auf dem Babe-O-Meter und zahlreiche Splash-Pages und die Panelanordnungen tragen zur Spannung bei. Das Coloring fand ich auch sehr gelungen, weil Adriano Lucas die Stimmung nicht nur durch düstere Farben und viel Dunkelheit darstellt, sondern oft leuchtende Farben verwendet.
Als Bonusmaterial wurden dem TPB die Variant Cover und Gail Simones Skript für Heft 1 beigegeben.