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Nick Fury: Agent of S.H.I.E.L.D. (1968-1971) #1 Kindle & comiXology
- LanguageEnglish
- PublisherMarvel
- Publication dateOctober 15, 2013
- File size73514 KB
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Product details
- ASIN : B00ZNXZEZU
- Publisher : Marvel (October 15, 2013)
- Publication date : October 15, 2013
- Language : English
- File size : 73514 KB
- Text-to-Speech : Not enabled
- Enhanced typesetting : Not Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : Not Enabled
- Print length : 20 pages
- Best Sellers Rank: #520,382 in Kindle Store (See Top 100 in Kindle Store)
- #9,410 in Superhero Comics & Graphic Novels
- #18,969 in Comics, Manga & Graphic Novels
- Customer Reviews:
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Great book, great condition, good price, good delivery
The lines are clearer and more distinct, but the overall presentation was disappointing. Almost as if the scenes were badly lit.
Included in this collection are "Strange Tales" 150-168, which provides one of the greatest examples of artistic growth ever seen in the field of comic books (Barry Windsor-Smith's legendary run on "Conan the Barbarian" is the only other example on the same plateau). Here we have Nick Fury's one-man assault on Hydra and the epic battle with the Yellow Claw. Early in the Sixties Marvel had labeled its comics as "Pop Art," in a feeble attempt to market themselves as more than just comics for kids. Well, when Steranko started incorporating elements from the psychedelic films and art of the time you could argue he achieved "Pop Art" in comics. Steranko used photography, optical art effects and unorthodox page designs to create his own unique style. Ultimately, his work had much more to do with cutting-edge cinema than it did with traditional comic books, which is why his reputation endures.
It is hard not to look at these Steranko's striking designs in these super spy stories and find yourself thinking more of "Bladerunner" and "The Matrix" more than James Bond. But as much as we admire Steranko's use of fine, defined ink line we also need to pay attention to his use of pacing, which is undeniably cinematic. I heard Steranko went on to do storyboards for movies, including "Indiana Jones and the Temple of Doom" and "Bram Stoker's Dracula," which is fitting, but also rather ironic. Speaking of irony, Steranko's best work in comics, both with Nick Fury and other characters (most notably Captain America and The X-Men) was yet to come. So while this collection does not represent Steranko's best work, it does capture the evolution of a major talent in comics. Besides, it will probably cost you more than the price of this collection to pick up just ONE of the comics reprinted within.
The book focuses on two seperate baddies. The first half focuses on Fury's battle with the Supreme Hydra. And then it's on to battling the Yellow Claw, a character introduced in the mid-1950s when Marvel was known as Atlas. (Though this occurs with a twist.) Then we wrap up with an issue that foreshadows the Scorpio line that would feature in four of the five first issues of S.H.I.E.L.D.'s own comic book.
What you get in these 19 Nick Fury stories are standard action spy adventure stuff from the 1960s with nearly every issue ending with Fury in a deathtrap or facing some weird strangeness. At this point, the only difference between Fury and the superheroes of the Avengers is that Fury had government sanction, and no superhero costume. In fact, one of the book's guest stars is Captain America and Fury fights him to a standstill in an exhibition.
There are also guest appearance by Mr. Fantastic, the Thing, and Dr. Doom.
I will admit that some of the hype around the book set me up for a bit of a disappointment. Despite all the talk about Steranko's art, throughout most of the book, it wasn't all that exciting, until the last three issues which also included an eye-popping four page pullout.
Overall, some good stories for fans of Nick Fury who remain true to the the motto, "Don't yield, back S.H.I.E.L.D."
Top reviews from other countries
There's panels of pure ambiance, just setting a mood, not unlike Will Eisner, and there's also panels.........whole pages than invoke the crashing energy of Jack Kirby.
Sternako was an artist that threw himself at the work, starting from weaker abilities than those around him, but just shoved as much confidence as he could at the page. That ballsy approach shows as the stories progress, and the mastery settles down--there's always something really interesting to anticipate.
I'd read that some readers have criticized this volume for the garish colouring......and there is that. I don't mind it, because I've not seen the original issues, but I also think that.......maybe, the louder colour actually helps make these stories more flamboyant.
In any case, it's Sternako and Nick Fury, and you just cannot go wrong.
Die Zeichnungen sind zu Anfang noch mittelmäßig, später werden sie immer besser. Der Plot allerdings bleibt gleichbleibend schwach und ich hatte einige Male keine Lust mehr, das Buch bis zum Ende zu lesen.