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Justice League (2011-2016) Vol. 8: Darkseid War Part 2 Kindle & comiXology
THE FINAL BATTLE
In the aftermath of Darkseid's death, the members of the Justice League have received immense power-the power of the Gods! Superman, Batman, Flash, Shazam, Green Lantern and Lex Luthor have been transformed, gifted the abilities of the New Gods. Even for superheroes, this near omnipotence is an unfathomable amount of power.
With her teammates' humanity slipping away in the face of their newfound abilities, Wonder Woman must fight to save them all from destruction at the hands of the Anti-Monitor. To defend her world, she'll have to seek help from the Justice League's greatest enemies...the Crime Syndicate!
The conclusion to the DC event of the year, JUSTICE LEAGUE VOL. 8: DARKSEID WAR PART 2, collects JUSTICE LEAGUE #45-50 and JUSTICE LEAGUE: DARKSEID WAR SPECIAL #1.
- LanguageEnglish
- PublisherDC
- Publication dateSeptember 27, 2016
- File size653364 KB
- Due to its large file size, this book may take longer to download
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Editorial Reviews
Review
"JUSTICE LEAGUE is solidifying itself as the superhero title that acts as the voice of the 21st century, using the drama of its heroes as a vehicle for the uncertainties we are regularly subjected to today."--POPMATTERS
"JUSTICE LEAGUE is a must read."--COMPLEX MAGAZINE
"Genuinely exciting."--CRAVEONLINE
"Johns, Fabok, Anderson and Mangual have returned the scope of Justice League adventures to a grand scale and, with this issue, they bring the story to a strong finish reminiscent of classic Justice League tales."--CBR
"Justice League [is] the still the biggest, flashiest summer blockbuster."--NEWSARAMA
About the Author
Johns was born in Detroit and studied media arts, screenwriting and film at Michigan State University. After moving to Los Angeles, he became an assistant to Richard Donner, director of Superman: The Movie. He and his mentor Donner later co-wrote SUPERMAN: LAST SON, featuring the return of General Zod.
Johns has written for various other media, including episodes of Smallville, Arrow and Adult Swim's Robot Chicken, for which he was nominated along with his cowriters for an Emmy. He is the Chief Creative Officer of DC Entertainment and resides in Los Angeles, California.
Product details
- ASIN : B01JHHF9NY
- Publisher : DC (September 27, 2016)
- Publication date : September 27, 2016
- Language : English
- File size : 653364 KB
- Text-to-Speech : Not enabled
- Enhanced typesetting : Not Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : Not Enabled
- Print length : 191 pages
- Best Sellers Rank: #168,633 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
About the author

Geoff Johns is an award-winning and New York Times bestselling writer, film and television producer, showrunner, and entrepreneur known for re-imagining superheroes and other iconic mythologies, past and present. Johns is best known for his work on properties such as Green Lantern, Aquaman, The Flash, Superman, Batman, Justice Society of America, and most recently, the creator-owned hit series Geiger, currently being adapted for television at Paramount.
Since the beginning of his creative career, Johns' hallmark has been writing heroic and inclusive characters, including teenage hero Courtney Whitmore aka Stargirl, inspired by his real-life late sister; the Shazam Family, which he re-imagined into a diverse modern family of today; and the first Arab-American Green Lantern, Simon Baz, as well as the explosive multi-colored Lantern mythology that defined his decade-long bestselling Green Lantern run, among many, many others.
Johns’ most recognized work in television is the critically acclaimed Stargirl series which he created and ran. Some of his film credits include Wonder Woman (executive producer), Wonder Woman 1984 (also co-writer), Aquaman (also story) and Shazam! (executive producer), based on his graphic novel with longtime collaborator and modern legendary artist Gary Frank.
In 2023, Johns co-founded Ghost Machine, the first-of-its-kind creator-owned company. This groundbreaking collective includes some of the industry’s most legendary writers and artists, disrupting the old industry model by giving ownership to its creators, and paving the way for them to retain creative control and financial participation.
Born in Detroit to a Lebanese father, Johns was honored with his own permanent section at the Arab American National Museum in Dearborn, Michigan.
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Catch all that? I didn't at first and once I read the first two comics/chapters of this graphic, Batman and Green Lantern begin a conversation in the next comic that directs readers back to Power of the Gods. I was lost and had to stop reading and bought Power of the Gods. It was worth it.
Before I go any further, there are some minor spoilers, but nothing earth-shattering. The writing is solid. Not Johns' best work, but generally satisfying. However, certain plot points feel unnatural and unnecessarily ambiguous. The Justice League title has always been able to stand alone, and when certain characters are missing, it is usually referenced. The same goes for major plot points that occurred outside this title. This seems to have been completely disregarded in this book. There are several little character tweaks that seem strange when considering previous Justice League stories. For example, Superman and Wonder Woman's relationship was introduced in this title, by Johns. At the time, it was a pretty big deal. It was especially addressed in volumes three and four. In this story, Wonder Woman only says that she's not in love with Superman, and that they are only 'more than friends.' People who follow the WW/SM title probably won't be shocked, but I had no idea what the basis was for this shift in tone. Cyborg, likewise, received a new upgrade in his own title, and is shown here with his new digs. There is, however, not even a single line of dialogue recognizing this. He just goes form issue 1 having his 'classic' look to his new one. While it looks good, it's a bit off putting to see it unannounced. Aquaman's absence is still unexplained here. There are other cases, but those are some of the most noticeable.
As for the main course, the story itself is satisfactory. It stays pretty linear despite the wide breadth of characters (not an easy job) and the pacing is excellent most of the time. The dialogue is entertaining, and the story itself is genuinely engaging. The Anti-Monitor is written differently, and yet is a familiar foe. Older characters are brought back and given time to shine. It reads well, the issue is what was written, not how.
Similar to Forever Evil, the conclusion seems amazing at first, but upon 24 hours of giving it time to process, doesn't seem quite as epic. Like Forever Evil, a lot happens in the conclusion, but doesn't flow the most organically. It sometimes feels as if something happens because it needed to happen for the plot, not as 'natural' flow of the story. My final comparison to Forever Evil is that Darkseid War also ends with several cliffhangers. While it can be expected for a comic book collection to do so, it seemed a bit excessive. A few plot details from prior adventures Johns claimed would be revealed never are (i.e. why Batman was so easily able to connect to WW in FE with her lasso). There are some deaths, but they don't feel conclusive, merely teasers for future events. There is one particular event near the end with Batman that had the potential to be epic (even though it would be more limelight on Batman) but is awkwardly dropped with a sputter. Many New 52 titles ended with 52 issues, but JL did not. I feel like one of those issues would have been well suited here. With Rebirth getting as close to a clean start as you can without rebooting, I was hoping volume 8 would be more concluding than it is.
The art is amazing. Manapul starts the volume, and it is a refreshing change-up that looks neat and vibrant. Fabok's work is some of his best ever; he delivers in every panel of every page. His detail is meticulous and figures captivating. If the story doesn't do it for you, the art certainly will. It flows together so perfectly, and it is readily apparent that he gave it his all through the very end. He, likewise, is departing the Justice League title, and his legacy sets a precedent for the art readers deserve for the most prominent of DC's characters.
In the end, it was pretty close to what I wanted. There is a lot that happens in this story, and it has legitimate repercussions on several characters moving forward. I only wish that for every answer we get, three more questions didn't appear. If you were wondering it the Justice League supplementary JL Power of the Gods title is necessary, I can say it is not. I did not purchase it, and while certain characters change with little explanation, the stuff that matters is addressed here. Would it help? Sure, but it's not crucial. As this is the last of Johns' Justice League, it reflects both his strengths and weaknesses as a writer. He writes the characters well and crafts a neat story, but his incessant need to tease future plots can leave a story feeling unintentionally incomplete.



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