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High Heaven Vol. 1: The Austerity Gospel Kindle & comiXology
- LanguageEnglish
- PublisherAHOY Comics
- Publication dateJuly 24, 2019
- File size666592 KB
- Due to its large file size, this book may take longer to download
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Editorial Reviews
Review
Thoughtful and clever.
― Portland Oregonian
Hilarious dark satire…. The art by Greg Scott is wonderfully detailed and expressive. ― Impulse Gamer
A very biting take on the concept of eternal happiness.
― Omni Comics
About the Author
Greg Scott is a comic book artist who pencils and inks his own work. He has drawn such titles as X-Files, Black Hood, Steve McQueen, and Area 51. He broke into comics through espionage: learning the time of day Marvel editors went outside for a cigarette break, he passed them art samples and was quickly given an assignment.
Richard Williams' illustration work has appeared in many national magazines, most notably MAD, for whom he was the cover artist during the 1980s. He has also illustrated children’s books (The Legend of the Christmas Rose, Lewis and Clark: Explorers of the American West) and painted covers for many young adult books such as Encyclopedia Brown.
A partial list of his clients includes: IBM, NBC television, Hallmark Cards, Nabisco, Chesebrough-Pond, MAD, Esquire, Ms., Reader's Digest, TV Guide, Time, Family Circle, Parents, Field & Stream, Women’s Day, Atlantic Monthly, Guideposts, Redbook, Cosmopolitan, Forbes, Bantam books, Simon & Schuster, Holiday House, Dell, Doubleday, Scholastic Books, Harper Collins, Putnam, Clarion Books, MacMillan Press, Ballantine, Atheneum Books, David C. Cooke, EP Dutton, Recorded Books, Henry Holt, Aladdin Books, Canard Design, Abrams Art Books, National Park Service, Della Femina McNamee, Drambuie, Strathmore Paper, and the Library of Congress.
His paintings have been purchased by Steven Spielberg, George Lucas, and Howard Stern and are in the collections of the Society of Illustrators and the Library of Congress.
Richard holds a master's degree in illustration from Syracuse University.
Product details
- ASIN : B09M676VDT
- Publisher : AHOY Comics (July 24, 2019)
- Publication date : July 24, 2019
- Language : English
- File size : 666592 KB
- Text-to-Speech : Not enabled
- Enhanced typesetting : Not Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : Not Enabled
- Print length : 123 pages
- Best Sellers Rank: #2,965,250 in Kindle Store (See Top 100 in Kindle Store)
- #433 in Religious Graphic Novels
- #1,354 in Religion & Spirituality Graphic Novels
- #3,525 in Humorous Graphic Novels (Kindle Store)
- Customer Reviews:
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It turns out there is a Heaven for all the not so great, but not so bad people, and it is all tied to L-Meat. We get to see a very different take on the afterlife, and how life and death don’t always go as planned. Imagine Heaven being a dorm room where you have to share with the best friend that drove you to death in the first place? The irony, right? From Tom Peyer, Greg Scott and Andy Troy, we get a dark, humor-tinged view of the hereafter, and done so in a very entertaining way. We see the angels and saints, and we see how this mediocre version of Heaven came to be, and what exactly the future holds for David. Is there a happy ending for this guy? We also see how Heather, the woman that rejected David and was engaged to the jerk best friend of David, deals with the loss of two people close to her and heads up: not well.
This is an entertaining, matured rated book, focusing on the stereotypical version of Heaven and injecting some real-world lessons into the afterlife. The artwork here clean and gritty when needed and the designs here are fantastic. High Heaven hits the high notes as Ahoy Comics has impressed me once more.
Unfortunately, every single one of those plot threads are completely dropped and the story just ends with no real conclusion at all. For that, I’m giving this story 2 stars. I just kind of felt ripped off by a half-baked story. Also, this is a completed product, just so everyone is aware. There will be no sequel or additional volumes, this is it. If there had been, I would’ve been happy with this graphic novel. But with how it stands I personally don’t think it should’ve even been released.
Received via Netgalley. All reviews and opinions are expressly my own
So, if this were just David whinging it would get old fast. But there's a plot, of sorts, and some other set pieces that buoy the project. MILD SPOILERS. First off, there's real High Heaven, which is sweet. David is in regular Heaven. Think of the difference between a top of the list cruise line and a cutrate cheapo cattlecar cruise line. Or a five star hotel across the street from a decrepit housing project. Intriguing. Are we making some class divide points here? You can read it that way, and that works. (By the way, there are only a few references to Hell, but what you get makes Hell sound like a fun degenerate booze cruise. Worth exploring more in later issues.)
Anyway, after David wears us out with all of his gripes about crappy Heaven, we learn why there are two versions. The flashback to all of the big time saints working out the details is the best part of the book, even though after this point the story pretty much goes off the rails in terms of coherent action. What we also learn is that Saint Peter is a major dick, (think nastiest maitre'd ever), and he steals every scene he's in.
You see what I mean by episodic? David is not especially engaging, the plot is haphazard, some of the twists are krazy kat, but along the way there is enough pointed, edgy, and clever riffing to make the whole read worthwhile, entertaining, and skewed enough to be thought provoking. An interesting one of a kind sort of find. I didn't actually think I was liking it as I read it until I realized I couldn't put it down.
(Please note that I received a free advance will-self-destruct-in-x-days Adobe Digital copy of this book without a review requirement, or any influence regarding review content should I choose to post a review. Apart from that I have no connection at all to either the author or the publisher of this book.)
Hyperspeed, David Copperfield (the novel, not the magician) style biography to bring a reader up to speed on a character who (hmm) is also named David, has died, and on his way to face the judgement of Saint Peter and less than spartan afterliving conditions, which he complains about endlessly and thanklessly. He cannot reunite with his parents, who seem to have been similarly thrown into an in-between, not quite heaven, not quite hell as David has. In the struggle to reach a level idyllically above or devilishly below where he is now, there is realistic, somewhat grotesque face rendering.