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Hellboy Volume 10: The Crooked Man and Others Kindle & comiXology
* Also includes a look into the artists' sketchbooks!
* 2009 Eisner Award winner for Best Limited Series!
"Richard Corben shows these youngsters how it's done... and it's so good, in its grotesquely beautiful way." -Comic Book Resources
- LanguageEnglish
- PublisherDark Horse Books
- Publication dateJune 8, 2010
- File size371453 KB
- Due to its large file size, this book may take longer to download
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Product details
- ASIN : B00A820YF6
- Publisher : Dark Horse Books (June 8, 2010)
- Publication date : June 8, 2010
- Language : English
- File size : 371453 KB
- Text-to-Speech : Not enabled
- Enhanced typesetting : Not Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : Not Enabled
- Print length : 160 pages
- Best Sellers Rank: #1,181,364 in Kindle Store (See Top 100 in Kindle Store)
- #291 in Seasonal Graphic Novels
- #1,302 in Graphic Novel Anthologies (Books)
- #2,769 in Horror Graphic Novels (Kindle Store)
- Customer Reviews:
About the authors
Discover more of the author’s books, see similar authors, read author blogs and more
Mike Mignola is best known as the multiple award-winning creator, writer, and artist of "B.P.R.D." and "Hellboy", but has fostered several other projects like "The Amazing Screw-On Head" and "Baltimore" with Christopher Golden. Although he began working as a professional cartoonist in the early 1980s, drawing 'a little bit of everything for just about everybody' - including characters like Batman and Wolverine - he was also a production designer on the Disney film "Atlantis: The Lost Empire". Mignola also acted as a visual consultant to Guillermo del Toro on "Blade 2" and the film versions of Hellboy, which were broadly adapted by del Toro from the original comic series. Mike Mignola currently lives in southern California with his wife, daughter, and cat.
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Top reviews from the United States
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The Crooked Man is a tale of witchcraft and a personal journey we are witnessing, set in the backwoods of the Apps. The Crooked Man is freaky and some of the story is freaky as well, making it bizarre and interesting at the same time. When you look at it, look at the way Mignola's influences shine through in the tale - there's an area in the book that tells you all about it. if you already know Manly Wade Wellman's work, you can envision what is going on here.
They That Go Down to the Sea in Ships pits Abe and Hellboy against a certain body and head that want to be reunited and that are not exactly the friendliest cast to walk the Earth. The way the art comes together with the tales of this person is great, taking all of the things that people have said over the years and putting them in the story. Honestly, I thought the subject of this was a good one because he's someone that people have heard odd things about - as a kid those things used to creep me out.
In the Chapel of Moloch is a great story because it goes back to that true Hellboy feel for me. You have a painter that wants to do creepy work and that gets his own foreign studio/ chapel to work in. his partner sets him up and exhibition, too, and then leaves him to his work. When he returns, however, he finds the work undone and something built in the chapel that frightens him. and when Hellboy comes in, you know it gets worse.
The Mole is just a short that is informative in soem way because it dwells on the fears. Even Hellboy has them, that's what the story says, and we know what he has haunting his mind.
All in all, this is a great collection. You don't have to be schooled in anything to enjoy it but you don't have to be a novice to walk right up and play ball. Its good stuff - and it is something to divert from the massive story going on right now. Hellboy has great things inside and hopefully people see them all. I personally think this deserves a solid five.
It's fun stuff in a crazy world.
In 1958, Hellboy, still working for the Bureau for Paranormal Research and Defense, sets cloven foot into the mountains of Appalachia, where the terrain may be sunnier on the surface but whose forests hide hillbilly witchcraft as black as the farthest reaches of the Old Ones' domains. The locals, complete with corncob pipes, are convinced that a woman in an open-eyed coma has been hexed by a witch named Cora Fisher. Tom Ferrell, a former member of the community who's reminiscent of Wellman's character Silver John, has returned after 20 years and found evidence of said hexing.
Hellboy and Tom head farther up into the mountains to find Cora. They face a zeppelin-chested seductress (a longtime specialty of artist Richard Corben) and the legacy of dark vows Tom swore as a teen to a devilish thing known as The Crooked Man, one of Corben's creepiest-looking creations. "One look at him scared all the bad thoughts right out a me. I lit out for home, swearin all the way to be good again." But Tom, like Cora, has been "bought an paid for," and The Crooked Man is a possessive owner (no pun intended).
Mignola says he wrote "The Crooked Man" specifically for Corben, who "really delivered the goods." I enthusiastically agree. I don't think even Mignola himself could have nailed the art any better. As the corporate clots at Marvel and DC continue to display their willingness to trample their own legacies for a quick buck (or 4 bucks rather) with 52 this or Ultimate that, it's heartening to read a title that's so obviously a joyful labor of love that holds its forebears in reverence while freshly renovating decades-old material. "The Crooked Man" is one of the all-time great Hellboy stories and one of the most frightening horror comix since Alan Moore days on "Swamp Thing."
The backup stories in this volume are fine but not in the same class, though "In the Chapel of Moloch" is written AND drawn by Mignola (interpreting Goya yet!), which is always an occasion for fanboy squee. The book also appends an appreciation of Manly Wade Wellman by pulp authority John Pelan for those who might not be familiar with Wellman's contributions to the weird tale.
Top reviews from other countries
Hinter dieser fantastischen Geschichte verblassen leider die anderen Kurzgeschichten des Bands: "They Who Go Down to the Sea in Ships" ist zwar thematisch begeisternd und hat eine wirklich tolle Idee, die Ausführung lahmt aber etwas. Da hätte man mehr draus machen können. "In the Chapel of Moloch", von Mignola selbst gezeichnet, lässt mich auch irgendwie kalt - da hatte ich Jahre darauf gewartet, eine von Mignola gezeichnete Hellboy-Story zu sehen, und dann kommt sowas dabei raus - mittelmäßig. Vielleicht ist es aber auch der überragende "Crooked Man", der mich dabei beeinflusst. Schließlich "The Mole" - nett und zur Abwechslung mal wieder witzig, aber da sahen wir in diesem Ultrakurzformat auch schon sehr viel besseres von Mignola.
Wie üblich ist die Dark-Horse-Präsentation sehr gelungen - sowohl von den Materialien als auch den editorialen Beigaben wie Vorworte, Cover-Varianten und Sketchbook-Ausschnitten.
"The Crooked Man" showcases Richard Corben's artwork as Mignola takes Hellboy into rural North America to fight mountain witches and the devil himself. The depiction of the devil, or "The Crooked Man", is truly amazing as are panel after panel of ruined churches, idyllic countryside, and horrifying creatures. If you're a Discworld fan and always wondered what Granny Weatherwax entering the body of an animal might look like, you get to see the graphic depiction here. It's the best story in the book and can easily see why it won an Eisner award in 2009.
Jason Shawn Alexander (the guy who drew "Abe Sapien: The Drowning") lends his talents to a tale of a headless pirate Blackbeard, while Mignola himself draws "In the Chapel of Moloch", a Goya-esque tale of demon worship. The fanciful strip "The Mole" rounds out this superb collection with the inimitable Duncan Fegredo drawing beautiful countryside vistas, a ghostly poker game, and a derelict house with equal skill.
Totally worth reading whether you're new to Hellboy or not, it's an amazing book and a fantastic contribution to one of the best comic series around.