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Hellboy: House of The Living Dead Kindle & comiXology
* Eisner-winning duo Mike Mignola and Richard Corben reunite!
An original graphic novel in hardcover!
- LanguageEnglish
- PublisherDark Horse Books
- Publication dateNovember 1, 2011
- File size138294 KB
- Due to its large file size, this book may take longer to download
- Read this book on comiXology. Learn more
Product details
- ASIN : B00A7H2CN4
- Publisher : Dark Horse Books (November 1, 2011)
- Publication date : November 1, 2011
- Language : English
- File size : 138294 KB
- Text-to-Speech : Not enabled
- Enhanced typesetting : Not Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : Not Enabled
- Print length : 56 pages
- Best Sellers Rank: #2,001,523 in Kindle Store (See Top 100 in Kindle Store)
- #1,657 in Art Book Graphic Novels
- #2,324 in 90-Minute Comic & Graphic Novel Short Reads
- #5,692 in Horror Manga (Books)
- Customer Reviews:
About the author
Mike Mignola is best known as the multiple award-winning creator, writer, and artist of "B.P.R.D." and "Hellboy", but has fostered several other projects like "The Amazing Screw-On Head" and "Baltimore" with Christopher Golden. Although he began working as a professional cartoonist in the early 1980s, drawing 'a little bit of everything for just about everybody' - including characters like Batman and Wolverine - he was also a production designer on the Disney film "Atlantis: The Lost Empire". Mignola also acted as a visual consultant to Guillermo del Toro on "Blade 2" and the film versions of Hellboy, which were broadly adapted by del Toro from the original comic series. Mike Mignola currently lives in southern California with his wife, daughter, and cat.
Customer reviews
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Top reviews
Top reviews from the United States
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Taking place directly after the one-shot "Hellboy in Mexico" (collected in Hellboy: The Bride of Hell and Others ), "Hellboy: House of the Living Dead" is the first direct sequel to a one-shot that I know of, and the first Hellboy original graphic novel. It is a hardcover and runs about fifty six pages.
The title is an allusion to two Universal Monster films, House of Dracula and House of Frankenstein . If you haven't seen those films, they came at the low ebb of the Universal Monster series and basically get together the famous monsters--Dracula, Frankenstein's Monster, and the Wolfman--for a battle royale. Mignola acknowledges these "sort-of-terrible" films as influences, along with the Mexican wrestler vs monster films like "Santo vs. Las Mujeres Vampiro."
The story basically tells of an event during Hellboys lost five months when he was drunk and in despair in the Mexican desert. He couldn't stop his friend from being turned into a vampire, and is trying to drown his guilt in booze and cheap sports. One night after a match Hellboy is approached by a stranger with a challenge. Hellboy must face an unknown champion and win, or else a young girl dies. Hellboy reluctantly agrees, and he finds himself lead to an old, falling down castle with a full Mad Scientist's laboratory in the basement. And Hellboy's mysterious wrestling opponent is--I am sure you can see where this is going.
Mignola has never bowed to convention, and "House of the Living Dead" is much more than a homage to Universal Horror. Sure, it is obvious that he wanted to make a story involving a bunch of classic monsters and some Mexican wrestlers, but the story ends up being more than the sum of its parts. Few of the characters follow their pre-written script, except perhaps for the Wolfman who is pure, doomed Larry Talbot. Combining the monsters with Mexico, Mignola takes a smattering of loose, unconnected elements and works them into a poignant story. The ending is fantastic, and put just the right cherry on an already fabulous cake.
To say that Richard Corben's art is great is to like saying that water is wet. I have run out of adjectives describing just how cool his drawings are. Corben has cemented himself as a necessary part of Hellboy, and I look forward to Corben-drawn Hellboy stories as much as I look forward to Mignola-drawn Hellboy stories. Corben's twisted little Dr. Frankenstein (Dr. Jose Luis Kogan) is a round little slimy charlatan with a fantastic rubbery face. And Corben's Monster captures that perfect blend of horror and sympathy without copying any of the famous interpretations.
As always, hail to colorist Dave Stewart who makes everything so much sweeter. There is a scene when the lightning comes to bring the Monster to life where the color makes all the difference. Stewart provides the necessary continuity that makes everything feel like Hellboy.
I loved Hellboy: House of the Living Dead. As much as I enjoy the continuing adventures of Hellboy in series like "Darkness Calls" and "The Fury," and as much as I am looking forward to Hellboy in Hell, my favorite Hellboy adventures are just like this; Hellboy wandering the world encountering monsters. After all, Hellboy is the modern descendent of weird fiction, and that particular genre was always served best by the short story. And few modern comic writers are masters of the short story like Mike Mignola.
A little backstory: in the 1950s, Hellboy spent time in Mexico, drinking and fighting vampires with three brothers who were luchadores — masked Mexican wrestlers. But one of the brothers was turned into a vampire, and Hellboy was forced to destroy him in a wrestling bout in an ancient Aztec temple surrounded by zombies — and the guilt sent him into the bottle for several years. This is a story from that era of Hellboy’s history.
So Hellboy is now supporting himself and his drinking habit by wrestling as a luchadore himself. He’s visited by a man who offers him the chance to wrestle his employer’s champion — and if Hellboy refuses, he’ll kill an innocent girl. And Hellboy soon finds himself dealing with a genuine mad scientist, his genuine crazed hunchbacked assistant, and a genuine Frankenstein monster — who Hellboy must defeat to save the girl. And even if he can stop the monster — which isn’t guaranteed — he’ll also have to deal with a werewolf, vampires, and demons before the night is through.
It's an excellent story, action-packed, funny, melancholy, and crammed to the gills with everything you’d want in a Hellboy comic. Mignola claims to have never watched any of the classic Mexican luchadore-vs.-monster movies, but what he’s created here is at least as good — you’ve got spooky stuff from all the monsters and ghosts, but you’ve also got a massive dose of atmosphere by setting it back in 1950s Mexico — earthy, poverty-stricken, traditional, and largely focused on luchadores.
Corben’s art is, as always, phenomenal — beautiful as the innocent Sonia, depraved as the mad Tupo, gruesome as the stitched-together brute, menacing as the revitalized vampire and his brides — he even manages pure simple blandness in the dimly obedient Raul. It’s at turns gorgeous and brutal, and you couldn’t look away if you wanted to.
It’s a grand comic, perfect for any time you need awesome monsters and luchadores to get through your day.
Top reviews from other countries
Nachdem ein Freund von ihm zum Monster gemacht wurde und Hellboy ihn töten musste, verfällt der große Rote dem Alkohol und lenkt sich mit einigen Kämpfen als Lucha-Wrestler ab (was er auch vorher tat, allerdings war zu dieser Zeit jener Freund, übrigens auch ein Lucha-Wrestler, noch am Leben).
Ein Angebot reißt ihn aus seiner Lethargie: Er kämpft gegen den Champion eines verrückten Wissenschaftlers oder ein Mädchen wird sterben. Hellboy sieht keine andere Möglichkeit, als in den Ring zu steigen und dem Champion, ein Bruder im Geiste Frankensteins, zu zeigen was eine Harke ist. Allerdings wird es nicht bei Frankenstein bleiben, was bizarre Begegnungen angeht.
'Hellboy: House of the living Dead' ist eine klassische Hellboygeschichte, wie es sie vor Hellboys Wandlung in 'The wild Hunt' gab: eine geradlinige Monsterklopperei, mit vielen Anspielungen, in diesem Fall vor allem die Monster aus den alten Universal- und Hammerfilmen. Das heißt es tauchen neben dem Frankensteinmonster noch ein Werwolf und Dracula (der Vampir in dieser Geschichte ähnelt zumindest sehr stark Christopher Lee, der den berühmten Blutsauger lange Zeit in zahlreichen Filmen verkörperte)auf und werden von ihn in klassischer Hellboymanier (mit den Fäusten und nicht zu brechender Sturheit) wieder ins Grab befördert, alles sehr dynamisch und mit einigen Augenzwinkern erzählt.
Und doch wirkt die Geschichte wie pure Nostalgie, nicht nur wegen ihrer Anspielungen auf die 'alte' Zeit des Kinos oder weil sie selbst in der Vergangenheit spielt, sondern weil auch hier der lustige Ton schwindet und schlussendlich der Melancholie von 'The wild Hunt' weicht. Auch in dieser Geschichte kann Hellboy schlussendlich nicht seiner Bestimmung und der damit verbundenen Verantwortung entkommen oder einfach zu den spaßigeren, einfacheren Zeiten zurückkehren. Am Ende wird er immer mit den Konsequenzen seiner Taten und den Hintergründen seiner Herkunft konfrontiert werden, am Ende gibt es kein Entkommen für ihn, egal wie sehr er sich auch bemühen mag.
Was das für den Hellboyschöpfer und -autor Mike Mignola sei dahingestellt, aber zumindest zeichnerisch ist 'House of the living Dead' über alle Zweifel erhaben. Richard Corben gibt der Geschichte ihr bizarres Äußeres und mithilfe seines erdigen Stils wird sie trotz der Schwere zum Schluss hin der ironische Spaß, der sie wohl sein sollte.
Die Bindung des Hardcoverbandes und die Qualität des Papiers gehen auch in Ordnung, sodass man 'House of the living Dead' immer wieder aus dem Regal nehmen kann, um gemeinsam mit Hellboy (und vielleicht auch Mike Mignola) in Nostalgie und der Erinnerung an die einfachen Anfänge schwelgen kann, ehe einen die welterschütternden Ereignisse von 'The Fury/The Storm' wieder ins jetzt holen werden und die Vergangenheit ihrer Natur entsprechend nicht mehr zurückkehren wird.