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Fantastic Four: The Lost Adventures: Lost Adventures by Stan Lee (Fantastic Four: The Lost Adventure (2008)) Kindle & comiXology
Stan's back, and he's brought the Fantastic Four with him! Stan Lee and Jack Kirby made pop-culture history during the 1960s with their landmark run on FANTASTIC FOUR. Unabridged for 102 consecutive issues, the legacy of their work together has influenced the imaginations of comic-book creators and pop-art innovators. And guess what? It's time to make room for a 103rd issue! A lost classic by Stan and Jack has made it into the hands of astonished FF fans everywhere! Featuring art by Kirby, much of which has never been seen by the public, this restoration project was finished off with scripting by Stan and inked by legendary FF delineator Joe Sinnott - marking a reunion of the dynamite combo that made the Marvel Age of Comics so scintillatingly super. Rounding out the contents are three other classic stories by Stan Lee that explore many different facets of the First Family and the universe they helped found. All have one thing in common: the heart, soul, wit and charm of Stan "The Man" Lee.
- Reading age9 years and up
- LanguageEnglish
- Grade level4 and up
- PublisherMarvel
- Publication dateJune 7, 2018
- ISBN-13978-0785140474
Product details
- ASIN : B07CYCKSNV
- Publisher : Marvel (June 7, 2018)
- Publication date : June 7, 2018
- Language : English
- File size : 566178 KB
- Text-to-Speech : Not enabled
- Enhanced typesetting : Not Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : Not Enabled
- Print length : 198 pages
- Best Sellers Rank: #1,677,803 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
About the author
Stan Lee is a man who needs no introduction. Nevertheless: Having begun his career with wartime Timely Comics and staying the course throughout the Atlas era, Stan the Man made comic-book history with Fantastic Four #1, harbinger of a bold new perspective in story writing that endures to this day. With some of the industry’s greatest artists, he introduced hero after hero in Incredible Hulk, Amazing Spider-Man, X-Men and more — forming a shared universe for rival publishers to measure themselves against. After an almost literal lifetime of writing and editing, Lee entered new entertainment fields and earned Marvel one opportunity after another. He remains one of Marvel’s best-known public representatives.
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Stanley Martin Lieber (Manhattan, Nueva York; 28 de diciembre de 1922 - Los Ángeles, California; 12 de noviembre de 2018), más conocido como Stan Lee, fue un escritor y editor de cómics estadounidense, además de productor y ocasional actor de cine. Es principalmente conocido por haber creado personajes icónicos del mundo del cómic tales como Spiderman, Hulk, Ironman, los 4 Fantásticos, Thor, los Vengadores, Daredevil, Doctor Strange, X-Men y Bruja escarlata, entre otros muchos superhéroes, casi siempre acompañado de los dibujantes Steve Ditko y Jack Kirby. El trabajo de Stan Lee fue fundamental para expandir Marvel Comics, llevándola de ser una pequeña casa publicitaria a una gran corporación multimedia. Todavía hoy, los cómics de Marvel se distinguen por indicar siempre «Stan Lee presenta» en los rótulos de presentación. También tuvo un programa televisivo en History Channel en donde buscaba superhumanos "reales".
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This volume's only truly "lost" story is a reconstruction of what would have been co-creator Jack Kirby's final FF adventure, scheduled for Fantastic Four #102 but shelved because Lee supposedly found crafting a story around Kirby's pencils impossible. Shortly thereafter, Kirby left for DC, and a sliced, diced, and Cuisinarted version of Kirby's artwork was published later, as flashback material in issue #108, with additional artwork by John Buscema. Both Kirby's original artwork-with inking by Joe Sinnott and missing panels filled in by Ron Frenz-and the FF #108 version are collected here, along with the King's surviving uninked, unlettered pencil art and extensive accompanying margin notes. Neither the original version-"The Menace of the Mega-Men"-nor the rearranged version-"The Monstrous Mystery of the Nega-Man"-represents Lee at his best, but the real draw, so to speak, in both instances is Kirby's exaggerated, energetic artwork.
Second-place honors go to "Homecoming!," which Lee wrote from a plot by Jim Shooter for FF #296. This tale had two purposes: Celebrating the FF's 25th anniversary and resolving plot threads writer/artist John Byrne had left dangling with his departure two issues prior; namely, returning The Thing to the group. (He'd left two-and-one-half-years prior, in FF #265, and been replaced by She-Hulk.) "Homecoming" finds The Thing so awash in bitterness and self-pity that he retreats to Monster Island to live with Mole Man, the FF's first villain, so he can have someone to relate to. But Mr. Fantastic discovers that Mole Man is building a machine that will create a continent for himself, The Thing and other unattractive people to live on-at the expense of the entire Pacific coast. As slam-bang as anything Lee and Kirby created during their legendary partnership, it's written so that knowledge of prior, Byrne-written/drawn FF issues isn't necessary to understand the action, and despite art chores being divided among a total of 13 artists, it holds together visually as well.
More of that slam-bang quality would have helped "The Last Fantastic Four Story: World's End," with art by John Romita Jr. This tale finds the entire team wallowing in angst and contemplating retirement because they're aging and struggling financially when they're called upon to save Earth not from super-powerful villains, but from super-powerful good guys who believe they're protecting the universe by destroying humanity, which they see as a threat to galactic peace. But it reads better as cold typescript on a page, due largely to JRJR's stylized art, which is a taste I've never acquired. He needs more help from his inkers than other pencillers, and he's fared better with street-level heroes like Spider-Man and Batman than he does here with galactic-level heroes and threats. Both the finished story and Lee's plot, with notes to JRJR by editor Tom Brevoort, are included here.
Finally, it's Mr. Fantastic's turn to wallow in angst in "If This Be...Anniversary!," a lighthearted celebration of the FF's 45th anniversary. (Based on the evidence of this volume, having one or all of the team wallow in angst seems to be Lee's default starting point for FF stories.) He refuses to let the team help the military fight an invasion by the aforementioned Mole Man because he's upset that Marvel Comics hasn't properly honored the team on its anniversary. But Stan the Man rushes in to save the day by promising MM a cameo in the next Marvel movie. (He's still waiting.)
None of these tales is anywhere near the FF at its best, and the artwork is uneven, but Lee's familiarity with the characters he co-created, even after years away from regular scripting duties, and his gift for writing snappy, character-establishing dialogue are the storytelling threads connecting all of this volume's stories, and making them fun to read.
This collection's best suited for longtime, hardcore Fantastic Four fans who will find it entertaining despite its rough edges.
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And there the problems start. Stan Lee, a hack writer who owed his job as Marvel's editor to being a cousin of his boss's wife, had given himself the job of dialoguing Kirby's stories and those of Jack's fellow artist, Steve Ditko. Lee has subsequently insisted, despite all the evidence to the contrary, that he created the Fantastic Four. For years, Kirby didn't complain (he had to put food on the family table), but kept turning out stories that Lee would then add dialogue to, based on notes that Kirby initially gave verbally but then took to writing into the page margins of his pencilled artwork.
By 1970, however, Kirby had finally had enough. He had created not only The Fantastic Four but The Uncanny X-Men, The Incredible Hulk, The Mighty Thor, The Silver Surfer, Galactus, The Inhumans, Nick Fury: Agent of SHIELD, Doctor Doom and a host of other characters for Marvel. He created the plots for their adventures and provided story notes for Lee to work from. In spite of which, he was only rarely credited with having any hand in creating the stories, nor was he paid for doing so. To add insult to injury, Lee had even taken to radically altering Kirby's stories, often asking Kirby to redo without pay pages that didn't fit the changed stories.
When Kirby left Marvel for DC in 1970, it sent shock waves through the comic book world. As he quit, Kirby handed in one last FF story to the Marvel offices, called 'The Menace of the Mega-Men' and intended to be FF #103, ending his record-breaking unbroken run on the comic since its inception nine years earlier. Stan 'the Man,' however, had other ideas and threw out the story in a huff. A partial change of heart a few months later led him to dig out the rejected pages, chop them around, rewrite Kirby's story and give it to John Buscema and John Romita to provide new art to fill in the gaps his ham-fisted editing had created. The result was the deeply unsatisfactory FF #108, called 'The Monstrous Mystery of the Nega-Man.' Lee's reason for issuing Kirby's old story at that time was that it coincided with the release of the first issues of Kirby's epic Fourth World saga for DC. It was supposed to be a spoiler. Instead, it was just spoiled.
This hardback book contains Kirby's original story restored from archive material to pretty much how he meant it to be. Lee has provided new dialogue based on Kirby's marginal notes that he had ignored first time around. A nice touch is that Joe Sinnott, Kirby's inker on much of his original FF run, has been brought in to ink this new version. As for the story itself, it's not exactly Earth-shattering. By the time he created it, Kirby had pretty much given up providing big ideas to the company that had never properly recompensed him for the hundreds he'd given them already. Even so, it's a Kirby FF story and a perfectly good one. Lee does a serviceable job scripting it and it's been nicely coloured in the style of its era.
Following on from the restored Kirby story is a section containing Kirby's original pencilled artwork, complete with most of his marginal notes on plot and dialogue so that we can check the extent to which Stan has followed them. Seeing Kirby's pencils is always a treat. He was a truly great artist, establishing a language of visual storytelling that has influenced virtually every creator in the medium since.
We then have the story as it ended up in FF #108 after being hacked around by Lee and partially redrawn by Buscema and Romita. It is nowhere near as good as the original Kirby version. In fact, it's a bit of a mess.
We are then offered what is proclaimed as 'The Last Fantastic Four Story,' called 'World's End' and dating from 2007. This is scripted by Stan Lee and drawn by the ever dependable John Romita Jr. This is followed by the 1986 story, 'Homecoming!' produced to mark the FF's 25th anniversary. This is also scripted by Lee, though its most interesting feature is that the first 10 pages are pencilled by the excellent Barry Windsor-Smith. The remaining 50-odd pages are by other hands and are very much of their era, by which I mean they're extremely average.
The final offering is a 9-page Stan Lee story in his best comedic style, featuring a guest appearance by, would you believe, Stan Lee? Wow. Here, the story is helped along by some Kirbyesque pencilling by Nick Dragotta, rendered more Kirbyesque by the great Mike Allred's inks.
All in all, it's an odd selection of tales related only by the fact that they're scripted by Stan Lee. The undoubted highlights are the restored Kirby tale and the pencilled pages that follow it. The rest, to be honest, pretty much feels like filler, with the exception of the few Barry Windsor-Smith pages. It's interesting to see this distinctive artist's take on the FF.
Oh, and for some reason, Marvel have chosen not to number the pages in this book. Why? Who knows?
Still, for all its faults, I'm pleased to add this to my collection. Well, it's Kirby and he is still the King of Comics .