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Daredevil Season One Kindle & comiXology
- LanguageEnglish
- PublisherMarvel
- Publication dateApril 11, 2012
- Grade level8 and up
- File size430652 KB
- Due to its large file size, this book may take longer to download
- Read this book on comiXology. Learn more
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Product details
- ASIN : B00AR0657K
- Publisher : Marvel (April 11, 2012)
- Publication date : April 11, 2012
- Language : English
- File size : 430652 KB
- Text-to-Speech : Not enabled
- Enhanced typesetting : Not Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : Not Enabled
- Print length : 133 pages
- Best Sellers Rank: #1,101,039 in Kindle Store (See Top 100 in Kindle Store)
- #6,909 in Marvel Comics & Graphic Novels (Books)
- #13,347 in Superhero Graphic Novels
- #23,956 in Superhero Comics & Graphic Novels
- Customer Reviews:
About the author

Antony Johnston is one of the most versatile writers of the modern era.
The Charlize Theron movie ATOMIC BLONDE was based on his graphic novel. His murder mystery THE DOG SITTER DETECTIVE won the Barker Book Award for fiction. The BRIGITTE SHARP spy thrillers are in development for TV. And his productivity guide THE ORGANISED WRITER has helped authors all over the world take control of their workload.
Antony is a celebrated videogames writer, with genre-defining titles including DEAD SPACE, SHADOW OF MORDOR, and RESIDENT EVIL VILLAGE to his credit. Having also consulted on SILENT HILL ASCENSION, he is the only writer in the world to have worked on all of the ‘big three’ horror gaming franchises.
His immense body of work also includes Marvel superheroes such as DAREDEVIL and SHANG-CHI, the ALEX RIDER graphic novels, the post-apocalypse epic WASTELAND, and more. He wrote and directed the film CROSSOVER POINT, made entirely in quarantine during the coronavirus pandemic.
An experienced podcaster and public speaker, he also frequently writes articles on the life of an author, and is a prolific musician.
Antony is a former vice chair of the Crime Writers’ Association, a member of International Thriller Writers and the Society of Authors, a Shore Scripts screenwriting judge, and sits on the Writers’ Guild of Great Britain’s videogames committee. He lives and works in England.
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These "Season One" books are an attempt by Marvel to reach out to the mainstream consumer who has never bought a comic book. This would be a great opportunity for any creative team put their best efforts forward and leave an impression on new readers, sadly Daredevil Season One is a tepid and boring display. I'd be ashamed to keep this on my bookshelf.
The book follows the first couple of issues penned by Stan Lee in the 1960s, including Daredevil encountering the Fantastic Four, Electro, the Purple Man, but it's just so boring. At least Stan Lee's have the retro 1960s charm, the characters in this book are SO BLAND. It's not helped by the inconsistent art - at a distance the characters look like blobs, at midrange they lack features, and close up they're positively CREEPY, like gremlins wearing human masks. Plus it's just SO BORING, I can't tell you how many times I kept looking towards the end, just to see how many more pages I had to read.
If Marvel's goal was to set the bar so low, that it makes everything else look better - Mission Accomplished.
The sad part is, this type of look into daredevil's early career has been done before, and way better, in Daredevil Yellow by Jeph Loeb and Time Sale ( Daredevil: Yellow ) . Loeb/Sale, that's a team that had STYLE.
Daredevil is a great character, he's like Batman and Spiderman mixed together. So many talented people have worked on Daredevil, that it's a wonder he's not more popular. Actually, that's no secret, Daredevil is just too hot for TV and can't have any cartoons. But, I urge you, if you want to read about Daredevil, avoid this like the plague, and instead start off with Daredevil by Frank Miller ( Daredevil, Vol. 1 ). Frank Miller's Daredevil is the definitive version of the character, and all other subsequent stories spin off his character defining run.
Daredevil Season One is terrible. 1-out-of-5.
Top reviews from other countries


Antony Johnston deals with the accident that gave Matt Murdock his amazing powers, and his revenge on the murderers of his father, very briefly, choosing instead to concentrate on the vigilante's first few clashes with supervillains including the Owl, the Purple Man, and Mr. Fear. At the same time, these action-packed skirmishes are intercut with a plot involving a shady politician and Murdock's local church that runs the entire length of the volume.
I would have liked to have seen some of these events in a little more detail, but Johnston also deals at length, and more succesfully, with Matt's personal relationships, more specifically his growing feelings for his secretary Karen, and his friendship-rivalry with his partner Foggy. These more character-based sequences are well-written, and give the reader a good idea of Daredevil's character without ever resorting to fisticuffs.
Wellinton Alves provides the art, and while his style may be a little sketchy in places, he does a decent job both of capturing Daredevil's athleticism and Matt Murdock's character. The environs of Hell's Kitchens are rendered in slightly brooding fashion without ever becoming too dark.
The volume finishes with a reprint of Dardevil #1 from 2011, to try and hook readers into checking out his current series. I still think the space could have perhaps been better spent expanding the main story, but the issue is at least a fantastic read in its own right.
Like the series as a whole, Daredevil Season One is aimed firmly at the new reader, and works well at introducing the character and his themes in enjoyable fashion. More seasoned comic readers after a tale of DD's early days would be better off trying Daredevil: Yellow, which is a more original work, but for the intended audience this is another success.