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Chronicles of Conan Volume 1: Tower of the Elephant and Other Stories Kindle & comiXology
- LanguageEnglish
- PublisherDark Horse Books
- Publication dateOctober 7, 2003
- Grade level7 - 9
- File size582578 KB
- Due to its large file size, this book may take longer to download
- Read this book on comiXology. Learn more
Editorial Reviews
From Publishers Weekly
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About the Author
Barry Windsor-Smith is a comic book writer, illustrator, and painter. He was educated at East Ham Technical College and later went on to write for Marvel, DC, Valiant, Dark Horse, and other comic book imprints. Windsor-Smith is best known for his work on Avengers, Iron Man, Conan the Barbarian, and Red Sonja. He is a member of the Will Eisner Award Hall of Fame.
Product details
- ASIN : B00BNM0J8C
- Publisher : Dark Horse Books (October 7, 2003)
- Publication date : October 7, 2003
- Language : English
- File size : 582578 KB
- Text-to-Speech : Not enabled
- Enhanced typesetting : Not Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : Not Enabled
- Print length : 160 pages
- Customer Reviews:
About the author
Roy William Thomas, Jr. (born November 22, 1940) is an American comic book writer and editor, who was Stan Lee's first successor as editor-in-chief of Marvel Comics. He is possibly best known for introducing the pulp magazine hero Conan the Barbarian to American comics, with a series that added to the storyline of Robert E. Howard's character and helped launch a sword and sorcery trend in comics. Thomas is also known for his championing of Golden Age comic-book heroes – particularly the 1940s superhero team the Justice Society of America – and for lengthy writing stints on Marvel's X-Men and Avengers, and DC Comics' All-Star Squadron, among other titles.
Thomas was inducted into the Will Eisner Comic Book Hall of Fame in 2011.
Bio from Wikipedia, the free encyclopedia.
Photo by Nightscream (Own work) [CC BY 3.0 (http://creativecommons.org/licenses/by/3.0)], via Wikimedia Commons.
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Thomas also contributes an interesting afterword in which he describes how Marvel came to acquire the rights to the Howard stories (the Howard estate was willing to sell the rights cheaply!). He also gives a candid take on the strengths and weaknesses of this writing and Smith's art.
The failure to reprint the covers is disappointing, but not a deal breaker for me.
All told, I think most comic fans will enjoy these decently reproduced and inexpensive reprints.
I remember reading the first Conan comic book, borrowed from a friend of mine named Ricky who was enthusiastic about it. I can’t remember if he’d read Conan’s newest paperback releases from Lancer or not before the comic came out. I knew I hadn’t.
Frankly, I was less than impressed with the story, and not happy at all with the astronaut floating in space in one of the panels. That took the story right out of the fantasy realm for me. I had recently read The Hobbit and The Lord of the Rings. Those books were fantasy to me.
Eventually, though, Conan became – and still is – a mainstay of my reading. I do remember Barry Windsor-Smith’s art, though. No one did stuff like Barry Windsor-Smith. That second page of the comic book that has the panel of Conan running with his horned helmet is one of those iconic images that will never leave me, and never fail to reduce me to a 12 year old boy again.
Windsor-Smith’s use of small panels and Thomas’s tendency toward verbosity (often explaining in narrative what a reader can SEE in the panels) makes those issues often read like an illustrated manuscript rather than a comic book. I don’t know how Windsor-Smith did it, and I know there are artists who would run for the hills if this kind of work load was shoved at them.
The stories kind of limp along in this collection because Thomas was still finding his feet as a storyteller in general, and hadn’t (by his own admission in the afterward) really known what he was doing with Conan. Or where he wanted to go.
The adaptation of Howard’s “Tower of the Elephant” is a story I always think of when I think of Conan. The story is just so heartfelt, and it’s weird to think of just how young both Howard and Thomas were when the first wrote the story and the second adapted it to comics.
Windsor-Smith (according to Thomas) was incredibly excited about the story. He did his best on the pages, and even got Thomas to stay off of some of them to let the story be told visually.
Sitting and reading these first stories one after another does tend to show how repetitive the adventures are. At one point, Conan got canceled (for a day) because of low sales, but thankfully the series picked back up and allowed Thomas to continue writing literally hundreds of Conan tales for years.
Barry Windsor-Smith was lost along the way, but John Buscema stepped in as the regular artist for years and gave Conan that iconic look so many comic book fans around the world know and love.
I’m looking forward to reading other volumes of the Conan the Barbarian series, called the Chronicles of Conan in these collections. I spent a lot of my formative youth reading the adventures of the barbarian hero, so I look forward to adventuring with him again.
Top reviews from other countries
Thankfully for those of us who were buying comics in the early 1970's the task was handed to Roy Thomas himself, a task he stayed with for 115 issues. The artwork for the first few years was handed to Barry Smith and it is plain in these first 8 issues that he was still developing his style, they may not be to everyone's taste but they look far better in the enhanced colours that are used here.
There is a decent mixture of new tales along with others based on Howard's original stories. Roy Thomas' first issue scene setter is an original tale introducing Conan as a young Cimmerian sword for hire who soon finds himself fighting against wizards, demons and beast-men and rescuing maidens in peril along the way. The covers of the comics, also by Barry Smith and sadly not re-printed here, promised so much, and by and large they delivered. It is thanks to the comic genius of Stan Lee that he spotted a worrying trend on the covers and his advice to Roy Thomas helped steer the title from declining sales to become one of Marvel's flagship titles.
A few of Robert E. Howard's tales are used here, "Twilight of the Grim Grey God", the brilliant "Tower of The Elephant" with its moving ending and "The God in The Bowl" re-named as "The Lurker Within", "Zukala's Daughter" is based on one of Howard's poems.
Of Thomas' own tales the first two introductory issues were great but "Devil Wings over Shadizar" stood out for me. He skilfully kept the stories flowing between issues, linking some of Howard's best loved tales together with some of his own best writing. Conan The Barbarian was one of my must-have's in my early comic collecting days and thanks to these reprints I am catching up on half remembered tales, as well as working my way through Howard's original stories.
I just wish the original covers could have been reprinted here but I guess there are copyright issues involved that unfortunately not even a sword wielding, demon-slaying, wild-eyed Cimmerian could help solve.
In this series, I found "Lair of the Beast-Men" and "Zukala's Daughter" fun to read, but I can't complain about any of them, this was a good set. In a subsequent comic, Zukala returns (in chronicles 3). I like that about these books, and there is coordination for the series, making it better to read them in sequence than randomly and I also noticed that there are additional supplementary books.
Conan battles against beast, and he battles with a decietful women that he had rescued. He does not find his kingdom in this set. With all of this trouble in the Hyborian age, it almost equals what we face, but Conan is not detered. I enjoy finding out what is going to jump out and challenge him. We discover some characteristics of Conan over time such as his distrust of magic or his sense of loyalty and pride, but I don't know how close of an approximation he is to the barbarian king in history. I am a novice yet as far as it goes. I heard that the original story teller used history as a background for his fantasy world.