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Cave Carson Has a Cybernetic Eye (2016-2017) Vol. 2: Every Me, Every You Kindle & comiXology
Cave Carson has a cybernetic eye—or more accurately, he had a cybernetic eye. After Team Carson's run-in with the Whisperer and his fanatical cult deep below the Earth's surface, the eye has gone AWOL. But why? What could a cognizant ocular computer be chasing? And perhaps most important, how can Cave and company put it back where it belongs?
Whatever the answers are, the subterranauts better find them soon—because the Whisperer's (very quiet) reign of terror is far from over. Soon his tentacles will cover the entire globe, conquering humanity and paving the way for an extradimensional invasion beyond imagining. Can Cave and his allies—including Doc Magnus and the Metal Men—uncover the truth about his roving eye and stop the Whisperer for good? Or is this really a job for...Superman?!
From the creative team of Jon Rivera, Michael Avon Oeming and Nick Filardi, under the watchful (but admittedly non-cybernetic) eye of DC's Young Animal founder (and My Chemical Romance frontman) Gerard Way! Collects issues #7-12.
- LanguageEnglish
- PublisherDC
- Publication dateFebruary 13, 2018
- File size598572 KB
- Due to its large file size, this book may take longer to download
- Read this book on comiXology. Learn more
Editorial Reviews
Review
"Another strong debut for the Young Animal imprint." --NEWSARAMA
"It's a compelling character study of a man grieving the loss of his wife and trying to maintain his connection to his daughter while dealing with a dramatic increase in strange shit surrounding him. Gerard Way and Jon Rivera's story is rooted in the pulp adventurer past of their title character, but it's moving in a much more high-concept direction that blends a number of genres into something unique and engaging."--A.V. CLUB/THE ONION
About the Author
Product details
- ASIN : B07934CSNS
- Publisher : DC (February 13, 2018)
- Publication date : February 13, 2018
- Language : English
- File size : 598572 KB
- Text-to-Speech : Not enabled
- Enhanced typesetting : Not Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : Not Enabled
- Print length : 156 pages
- Best Sellers Rank: #1,298,704 in Kindle Store (See Top 100 in Kindle Store)
- #1,107 in Art Book Graphic Novels
- #2,522 in Lawyers & Criminals Humor
- #13,266 in Fiction Satire
- Customer Reviews:
About the authors
NICK FILARDI has colored for just about every major comic book publisher including DC, Marvel, Image and Dark Horse. He's currently also coloring Cave Carson has a Cybernetic Eye, and The Realm. When he isn't buried in pages, you can find his digital likeness pulling up other artists with tips and tricks at twitch.tv/nickfil, making dad jokes at twitter.com/nickfil, and just spreading dope art at instagram.com/nick_filardi. He lives in Florida with his 3-legged dog and lovely fiancée.
Mike began his comics
career at the age of
14, breaking in as an
inker. Growing up in
a small town, Mike
found tutelage under
Neil Vokes and Adam
Hughes, while corresponding
with Nexus
creators Steve Rude
and Mike Baron. After
years working in indie press, his first big
break was as an inker on Daredevil, and
shortly after as penciler/inker on DC’s version
of Judge Dredd, then Foot Soldiers at
Dark Horse Comics. During the mid-’90s
comics crash, Mike moved back into indie
comics, starting on his path of creatorowned
comics with Ship of Fools, co-created
with Bryan J.L. Glass. While drawing
Ship of Fools, Mike continued with other
paying work, such as inking Neil Vokes on
Ninjack and drawing Bulletproof Monk, which
later became a John Woo film. Business
was slow when Mike experimented with a
new, simpler style of drawing, and began
developing several projects, including The
Mice Templar, Hammer of the Gods, Quixote,
and what would become Powers with Brian
Michael Bendis, whom Mike had met several
years earlier.
Powers has been nominated for a Harvey
Award and won an Eisner Award for best
new series. With Powers ongoing, Mike has
since tackled several other projects, including
Hammer of the Gods, Parliament of Justice,
Hellboy, Catwoman, 86 Voltz: The Dead Girl,
The Goon, Quixote, Magician Apprentice (with
Bryan J.L. Glass) The Cross Bronx, The Darkness,
The Spirit, Red Sonja, and Rapture with Taki
Soma. His writing stint on the final run
of the original Thor as well as on Thor: Blood
Oath has been widely acclaimed. Beta Ray
Bill and Ares are amongst his other Marvel
Comics writing credits.
Mike is currently working on The Mice
Templar, The Victories for Dark Horse Comics,
Takio and Powers with Brian Bendis, all creator
owned titles
Customer reviews
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This is one of my favorite comic series and to find it at such a bargain I was like, yes!
You can tell the seller truly cares about the literature they sell. It shows in the way it arrived. I admire that in someone I do business with.
All in all, I am a very happy customer.📖📔📚
Reviewed in the United States on February 7, 2022
This is one of my favorite comic series and to find it at such a bargain I was like, yes!
You can tell the seller truly cares about the literature they sell. It shows in the way it arrived. I admire that in someone I do business with.
All in all, I am a very happy customer.📖📔📚
There are some pages with solid art & writing, but they are so few & far between.
I read these 2 Cave Carson trades back-to-back, finishing Vol. 02 last night. The art vacillates between being quite entertaining & interesting to piss-poor, childish, wannabe Japanese style - but in that "American weebs who can't do the Japanese style justice" kind of way, i.e. large eyes, disproportionate, generic, "is this cgi" kind of style; you definitely know this style, you've seen it everywhere.
The writing is awful. Jumping from chapter/issue to chapter/issue, key story points are lost & seem to be expected for the writer to just understand. The art hints at some of these points, but doesn't dive into actually showing these points - & this doesn't happen every time. There is too much being done & not enough grounding, substantial events to prop up the actual story.
While reading Vol. 02 - when everything really goes off the rail, without actually hinting toward or explaining "The Big Twist" - all I could think of was: "This book wants to be Black Science, Gerard Way & [The Other Guy Writing] want Cave Carson to be Grant McKay so bad. Way & [That Other Guy] want to be Rick Remender, they want 'Cave Carson' to be 'Black Science'. But 'Black Science' 'Cave Carson' is not!"
If you're looking to read this for the sci-fi elements, don't. Go buy & read Black Science. It even had a new omnibus edition drop, recently, or will drop soon, if it hasn't. The story is much more succinct, with evrry single aspect being introduced & paying off, HIGHLY UNLIKE Cave Carson.
Cave Carson, Volumes 01-02, feature a rushed story with oft mediocre, immature art better suited for a comic aimed at children, pre-tweens, & tweens, or, better: a Bratz Dollz box than for a comic featuring giant aliens with giant "bewbz" & giant "rocket dongs", amidst an array of smokijt & f-bombs. I have no idea why there was so much "mature content" shoe-horned into this story when it didn't need to be present - it doesn't serve the story, nor does it serve the character- or world- building.
This book series is a giant mess with few glimmers of what could've been, making the series that much more of a let-down.
I bought Cave Carson, Vol. 01, along with other Young Animal titles a long time ago. I bought Milk Wars sometime in the last 3 years. I recently - within the last 2 weeks + ordered the rest of Cave Carson & Shade. These books are "necessary" to read Milk Wars - I put it as: "necessary", due to not getting to Milk Wars, yet.
Skip this, unless you're a completionist & want something to teach you how to write & create art better - we tend to learn from bad things, more than we learn from good things.
Buy Black Science's new omnibus, it will serve you as a much better addition to your library, unless you're a completionist, or you've got a hunger for bad writing & worse art.
3/5 because sci-fi, interesting ideas with poor execution, & random nice artwork - i.e. alternate covers, some panels, some pages; but ultimately, this falls flat.