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Animal Man (1988-1995) Vol. 7: Red Plague Kindle & comiXology
- LanguageEnglish
- PublisherVertigo
- Publication dateJanuary 20, 2015
- File size1765748 KB
- Due to its large file size, this book may take longer to download
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Product details
- ASIN : B00RZZ5H4W
- Publisher : Vertigo (January 20, 2015)
- Publication date : January 20, 2015
- Language : English
- File size : 1765748 KB
- Text-to-Speech : Not enabled
- Enhanced typesetting : Not Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : Not Enabled
- Print length : 461 pages
- Best Sellers Rank: #910,882 in Kindle Store (See Top 100 in Kindle Store)
- #159 in Graphic Novel Biographies & Memoirs
- #748 in Art Book Graphic Novels
- #1,418 in Historical & Biographical Fiction Graphic Novels
- Customer Reviews:
About the author
Jamie Delano (born 1954 in Northampton) is a British comics writer. He was part of the first post-Alan Moore "British Invasion" of writers which started to feature in American comics in the 1980s. Best known as the first writer of the comic book series Hellblazer, featuring John Constantine.
Bio from Wikipedia, the free encyclopedia. Photo by unknown [Public domain], via Wikimedia Commons.
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Delano's explorations of Eileen and Buddy's dealing with Maxine's death (a theme Lemire would rehash more successfully in the new 52), Delano also introduces Annie's connection to life-web and her animalistic relationship with Buddy, Eileen's diligence into radical separatist lesbianism as Buddy leaves her and his human form to lead a church, and the satire of Cliff's band and definitely damaged Maxine's speaking for the more humane end of Buddy's new religion.
The soap opera is paired with the utter madness of the new religion--again, a theme used to quite a different effect by Jeff Lemire in the new 52 reboot--is interesting, but it meanders and then abruptly ends. While the comic still had another year in Vertigo run apparently, Annie's relationship with Eileen in light of the ultimate fate of Buddy at the ends of a government-planted female Judas seems to end the plot outright.
Delano's strengths and weaknesses really show up here: Delano fleshed out the family and a cast of supporting characters in ways that no one else, including Morrison, really did until the first two volumes of Jeff Lemire's reboot. Yet Delano dissolves those dynamics carelessly and Buddy Baker is so inhuman by the time he does it that only Eileen feels any weight to the situation. Neither Maxine or Baker are human, Annie is primal and had relationships with Buddy and Eileen almost instantly forgives her in a hot tub bath. Cliff's post-traumatic stress and obsession with the death moves from having serious thematic and characterization weight to being a grimdark punchline. His relationship with Annie's daughter seems like a side-note. Delano did more to build up a convincing family dynamic in the characters and proceeds to just ignore it.
While Animal Man has always been warped--Delano makes it a completely different book, one almost directly opposed to the dynamics set up by Morrison in the early run. Only in the early issues of the new 52 would someone try to reconcile all these threads into some kind of convincing whole again. The madness of his finale ending moves this far beyond a conventional superhero book, but also thematically it is unclear if Delano is commenting on environmentalism approvingly or mocking or both. The government conspiracies are completely under-developed, and yet despite these huge problems, the book is actually mesmerizing.
Steve Pugh's art is more consistent here--his characters have more consistent face-work, and his figure work has a variety of human body types. However, occasionally filler work by Simpson, Braun and Snejbjerg are sometimes quite distracting. The colors are top-notch as they were for the entire Delano/Pugh run. Thank Tatjana Woods for that excellent work.
In the end, I like Morrison's run better although it did establish a lot of Morrison now well-overused tropes. Furthermore, I disagree with many who say that Delano fleshed out Baker's character. Indeed, Buddy Baker is handled with more personal depth by most of the other authors in the all his runs, but what Delano does do masterfully was get Animal Man's family and supporting cast down consistently. Eileen is not just a foil for Buddy's desires, Maxine and Cliff have definitive personalities, the metaphysis introduced by Veitsch are fleshed out and given real weight, and Annie and her daughter, as well as Eileen's mother and the characters of the Vermont town, are more than props. In truth, Morrison never really did this as his obsessions with dynamics of the different kinds of superhero stories and his love of metafiction ruled that out. Delano's characterizations of everyone around Baker hold, and it feels like a world that has gone mad. Yet Delano ultimately can't seem to make it all cohere and what he is actually saying about the nature of Animal Man seems still pretty muddled by the end. Highest of highest but some of the most confusing of the lows.