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Amazing Spider-Man Vol. 1: Coming Home (Amazing Spider-Man (1999-2013)) Kindle & comiXology
Spider-Man meets Ezekiel, a man with powers very similar to his own who knows more about them than even Spidey himself does! What hidden secrets about Spider-Man's powers will be unearthed?
- LanguageEnglish
- PublisherMarvel
- Publication dateNovember 28, 2001
- Grade level4 - 6
- File size644341 KB
- Due to its large file size, this book may take longer to download
- Read this book on comiXology. Learn more
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Product details
- ASIN : B00PSN1ADU
- Publisher : Marvel (November 28, 2001)
- Publication date : November 28, 2001
- Language : English
- File size : 644341 KB
- Text-to-Speech : Not enabled
- Enhanced typesetting : Not Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : Not Enabled
- Print length : 143 pages
- Best Sellers Rank: #427,730 in Kindle Store (See Top 100 in Kindle Store)
- #193 in Children's Superhero Action & Adventure
- #2,359 in Marvel Comics & Graphic Novels (Books)
- #4,055 in Superhero Graphic Novels
- Customer Reviews:
About the author
J. Michael Staczynski was born in Paterson, NJ in 1954, from a lower-middle-class blue-collar family that moved 21 times in his first 18 years. He began writing in earnest and selling at the age of 17 and hasn't stopped since. He graduated San Diego State University with degrees in Psychology and Sociology.
As a journalist, he has written over 500 published articles for such periodicals as The Los Anglees Times, the Los Angeles Herald Examiner, Writer's Digest, San Diego Magazine, the San Diego and Los Angeles Reader and TIME, Inc. He has also published numerous short stories in Amazing Science Fiction Magazine, Pulphouse, and various anthologies.
As a television writer and producer, he has written over 300 produced episodes, including work on The New Twilight Zone and Murder She Wrote. He also wrote, created and produced the series Babylon 5, Crusade, Jeremiah and most recently, Sense8 for Netflix.
Moving from TV to film, he wrote Changeling (directed by Clint Eastwood), Ninja Assassin (produced by the Wachowskis), provided the story for Thor (directed by Kenneth Branagh), wrote Underworld 4 (starring Kate Beckinsale), and has written numerous other films that are currently slated for production.
He has won the Hugo Award (twice), the Saturn Award, the Eisner Award, the Inkpot Lifetime Achievement Award, the E Pluribus Unum Award from the American Cinema Foundation, the Space Frontier Foundation award, the Ray Bradbury Award, the Christopher Award, and over a dozen others.
He was also nominated for a British Academy Award (BAFTA) for his screenplay for Changeling.
He writes ten hours a day, every day, and he likes it a lot.
Customer reviews
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Top reviews
Top reviews from the United States
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He didn't just bring back accounts of Spider-man's mythos (or past for that matter) but he went one step further by challenging the assumptions many, including probably even past creators of the book, have taken for granted. Technical aspects of the radioactive spider who bit Peter gets expounded in a great way, with Straczynski putting forth a bold and audacious dialogue between Peter and Ezekiel, the new guy in the block who just so happens to possess the same powers as Spider-man's.
The ideas are pretty complex, even with the light and playful atmosphere displayed at times, but they were handled with such concise and yet flavorful stylishness that it seems Straczynski has been doing this for years and not mere weeks. There is no question as to the veteran scribe's knowledge being lavished upon most of the more critical dialogue scenes. How can one not be intrigued with an idea implying that the Spider could be passing on his powers to Peter before dying to the radiation rather than the radiation itself being the source?
If that somehow influences public perception to see this book as overly technical and thus boringly tedious, think again. Straczynski applied a soft touch, perhaps as a much-needed balance to the information-laden sections, to the more kinetic action scenes as well. Could anyone else have done as well as having a lady, taken hostage, scream at the sight of the often shocking and extraordinary Spider-man? Could such delicate inferences be made at the rate of three pages each?
But it seems Straczynski never had a problem achieving such quality in his pants-on-fire writing, where the reader can no doubt see the hungry passion overflowing from every page of this trade paperback. The Babylon-5 creator pours so much effort into the first arc of his run as if he would be losing the book right after. Just bask at the absolute brilliance of the few but oh so poignant and delicately done Aunt May scenes, and understand just how much of a good first story (and Spider-man story) this is.
That is without the shocking conclusion taken into account even. That is how smooth, warm, smart and hard-hitting, the writing in here feels, like a roller-coaster ride that will surely climax into a mind-numbing peak.
We get an exciting new character in Ezekiel who makes perhaps the best entrance of any character EVER. Spidey goes on a mindless rampage against an empty building! Marvelous! We get a nice look at NYC; this is as much a "Spidey as the guardian of NYC"-story as there's ever been. The insight to his powers (and the supposed relationship between Spidey and foes like the Lizard, Rhino, Vulture, etc) is pretty cool. On the overall atmosphere of this story its a great one. And the humour is on point.
If Disney is wondering about stories to adapt for films this is one they should be looking at.
Things I DIDN'T LIKE:
1) Peter Should Be DEAD Halfway Through. It's well established that he's strong, but not THAT strong and he's not invulnerable. "I've been fighting him for 12 hours" That's just impossible giving the damage hes sustained. Doesn't even go to the hospital or the Night Nurse or anything by the end.
2) Apparently, He's The Only Superhero in NYC: The Fantastic Four, The Avengers, The X-Men, even Daredevil --- they're absolutely NOWHERE TO BE FOUND during all the mayhem Morlun is causing. Doctor Strange should be able to notice Morlun the INSTANT he enters the city. But he's MIA as well. There's not even any COPS who try to take him on! No Swat Team, No Code Blue, No Hulkbusters, NO NOTHING. It's thoroughly unbelievable.
3) Ezekiel Sims is this fantastically wealthy guy with an (unnamed ) multi-national company and a huge skyscraper in Manhattan and...PETER HAS NEVER HEARD OF HIM. This is a guy who, even if he likes keeping a low profile, would at least occasionally be on the front pages of the Daily Bugle and in Time, Forbes, Wall St Journal, etc. This was really hard to buy.
4) Fight scenes are great -- the overall art is, only JRJR can do brutality like this justic -- but Spider-man would NEVER spend so much time hitting Morlun with his bare fists after seeing that it does nothing. Going back to my first point, his knuckles would be reduced to jelly. The Hulk, The Juggernaut...he never spends a ton of time going toe to toe with superior beings.
Top reviews from other countries
Morlun on the other hand is an incredibly powerful villain and comes across like a terrifying monster that destroys everything he touches. The solution, as is always best with Spider-Man comics, is routed in sciences not sheer power and looks very much at the nature of what Peter is now versus how everyone sees him.
This is very good, I've tried to avoid spoiler as best as I can
ゆっくり、じっくり、繰り返しながら読んでいきます。
The story is very dark and sad at times however it does contain great art work and humour this is a must for spiderman fans and fans of graphic novels.
The ending will shock you I can promise you that.
Not to mention the abismal art by John Romita Junior, it