Noah Berlatsky looks at sequence in the art of ukiyo-e master Tsukioka Yoshitoshi and in the storytelling of Satoshi Kitamura.

Noah Berlatsky takes a look at estimated comic sales and compares them to published sales figures on a variety of competing media.

Noah Berlatsky looks at comic book-style alter egos featured on wildly popular recent albums by popstars Beyonce and Ciara.

Noah Berlatsky reviews Jason's Low Moon.

Noah Berlatsky examines the Cinderella trope and how it does and doesn't play out.

Noah Berlatsky looks at the work of Graham Rawles and of Ernesto Caviano.

Noah Berlatsky contemplates sexist drawings and artistic achievement.

Noah Berlatsky looks at Feminism, bondage, sex, and Wonder Woman.

Noah Berlatsky reviews Sooyeon Won's Let Dai.

Noah Berlatsky wonders whether Spidey came to the right conclusion about the relationship between great power and the responsibility to act.

Noah Berlatsky takes a page from Freud and wonders whether American comics and Japanese samurai manga have a similar take on the Oedipal complex.

Noah Berlatsky takes a look at two major archetypes in storytelling for men. He calles them Dick and Fanny.

Noah Berlatsky leads a tour through the silhouettes in Arthur Rackham's Cinderella and Sleeping Beauty.

This month, Noah Berlatsky profiles a pair of works produced by cartoonist David Heatley.

A brand-new column debuts today as Noah Berlatsky present the first installment of A Pundit in Every Panopticon. Every month, Noah will take a look at some of the strange contrasts he sees in the comics world, and he doesn't mince his words (that means, strong language!).